论综合材料在绘画艺术中的文化表达-美术学专业毕业论文.docxVIP

论综合材料在绘画艺术中的文化表达摘要 论综合材料在绘画艺术中的文化表达 摘要 从绘画的媒介材料看绘画艺术，_部绘画史就是一部不断突破传统媒介材 料和由此而带来的不断视觉语言创新的历史。二十世纪西方艺术主导思想“艺 术不是为再现可见事物，而是要变不可见为可见。”这一思想转变了西方一贯 崇尚几百年的模仿论人文主义理性思想的传统，绘画语言本体得到了肯定，立 体主义跨越了西方艺术模仿现实的门槛，达达主义杜尚则对艺术本身的文化内 涵和传统观念做出了颠覆性的革命。材料与艺术已成为一个命题被凸显出来。 材料逐渐被上升到艺术的本体地位。从当今国际视野看，绘画材料语言已成为 广泛的共识。绘画的材料语言同造型、色彩并重成为三大语言体系之一，越来 越得到广泛的关注和重视。也已成为绘画的原创点之一，在国外“综合材料 (Mixed media)这一词汇出现已有近百年的历史，在我国，综合材料绘画已有 了一定深度的研究，但还处在对材质、肌理等物理层次的概念和技法上。本文 在研究绘画物理层次材料的基础上透过西方综合材料绘画的融合与发展史及东 西方的互动和中国当代综合材料绘画现状研究，并通过大量综合材料绘画的经 典作品的分析深入到文化视野的高度进行了一定的研究。特别提出了当代文化 视野下绘画综合材料创作多重视野取向的重要性，这对当代综合材料绘画的创 作有一定的启示和指导意义。本文第一章绪论，第二章综合材料绘画的美学原 理，第三章西方综合材料绘画的融合与发展及东西方文化的建构，第四章综合 材料在当代中国绘画语言上的价值取向。第五章结语。 关键词：综合材料； 绘画；文化； 价值取向 4 On On the comprehensive material in the art of painting in the cultural expression Abstact Material from the medium of painting to see the art of painting，a painting is a history of continually broken through the traditional media，materials，and thus bring about the continuous visual language history of innovation．The guiding philosophy of the twentieth century,Western art，”art is not to reproduce the visible things，but to become invisible as visible．”This idea has changed the West has always been advocating for several centuries to imitate a rational thought on the humanist tradition，Painting linguistic ontology has been affirmed，Cubism crossed the threshold of Western art to imitate reality，Dadaist Duchamp is the cultural meaning of art itself,and traditional attitudes made a subversive revolution． Materials and the Arts has become a proposition has been prominent．Materials and the Arts has become a proposition has been prominent．Materials have been gradually rising to the status of body art．From the look of today。S international perspective，drawing materials，language has become a broad consensus．Language of painting materials，with the shape，color and try to become one of the three maj or language system has been more wide spread concern and attention．Has al so become a point of painting or