民国时期全国美术展览会的生成与发展研究-美术学专业毕业论文.docxVIP

内容摘要：民国时期首届全国美展的生成与西方沙龙展、日本的文展、帝展等有着不可 内容摘要： 民国时期首届全国美展的生成与西方沙龙展、日本的文展、帝展等有着不可 分割的联系，清末民初的归国留学生带回先进技术的同时也向国人介绍国外的艺 术，美术展览更是被大多数专修美术的留学生们所推崇，他们归国后多次建议当 局举办美术展览，他们创建私立美术学校、举办个人画展 蔡元培“美育代宗 教”的思想影响了当时一大批仁人志士参与到教育中来。在政治、经济、文化等 诸方面条件逐渐完善后，首届全国美展于1929年在上海得以举办。定期举办全 国美展在民国时期政局动乱、财政赤字逐年上升的情况下无法得以实现，全国美 展地举办从最初的为提倡美术，随着战局的变化，逐渐成为当局宣传的工具。 本文从首届全国美展的生成原因入手，查找第一手资料，对民国时期历届全 国美展所涉及到的时间、地点、人物等作了较为详尽的梳理并略作分析，希望能 够较为真实地再现民国时期的历届全国美展，并为日后研究民国时期美术的学者 提供一份较为详实的资料。 关键词：民国教育部全国美展 Abstract：The Abstract： The formation ofthe 1 5‘National Art Exhibition during the Republic ofChina had a close relationship with the Western Salon，Japanese Exhibitions of Art Department and of Imperial Academy．At the turn of the Republic of China，the overseas Chinese students returened to the motherland with advanced technologies，as well as the foreign art．The art exhibition Was admired by returned art-majors．On many occasions they made suggestions to the authority that art exhibition should be held． They set up private art academies and held sole exhibitions Cai Yuan pei’S thought· replacing religions with aesthetical education，had attracted a number of people with lofry ideals to participate in the education ofart．In 1929 when the situation ofpolitics． economics，and culture was getting better,the 1 8‘National Art Exhibition got an opportunity to be held in Shanghai．At that time，however,the regular exhibition of art Was impossible in a country suffering the social unrest and the increasing financial deficit．With the unpredictable changes of the War situation，the national art exhibitions had been turned into the authority’S vehicle for propaganda from the education of art． Started from the cause of the National Art Exhibition．this study,witll firsthand materials，elaborates the time，venue，people involved in the national exhibitions during the Republic of China，in hope of truly manifesting the national exhibitions and offering some detailed materials for scholars interested in the research of the art in the Republ