移动噪音对会话听取能力之干扰程度研究.DOCVIP

PAGE PAGE 144 中國南管樂器音像寬廣特性之研究 A sound image study of apparent sound width for Chinese Nan- kaung musical instruments 陳炯堯1、許晉益2 1 朝陽科技大學建築及都市設計研究所 副教授 2朝陽科技大學建築及都市設計研究所 研究生 主要聯絡方式 機構與單位名稱：朝陽科技大學建築及都市設計研究所 電話：(04機4349 Fax：(04E-mail：chychen@mail.cyut.edu.tw 摘要 台灣在中國樂曲發展上其主要演奏空間以戶外戲亭為主。以鹿港龍山寺戶外戲亭空間為例，Chen(2002)1根據中國古建築空間之物理音環境特性分析結果得知中國南管音樂比西方音樂更適合在這裡演出。但是在實驗室進行餘響時間的主觀心理喜好程度研究中又發現受測者的回答並不一致。另外，南管音樂其主要樂器以絲竹為主，自然在發聲特性上有所不同。因此在本研究中進一步分析中國樂器音像的特性與西洋樂器進行比較。研究方法首先是在無響室中讓受測者對於中西獨奏樂曲(兩者皆為dry source)進行主觀音像範圍(水平夾角)的聆判，以絕對閾限法來探討中西獨奏樂其音像（聆聽者對於聲音的印象）的寬廣範圍。初步實驗結果發現受測者對於中國樂器音像的主觀判斷平均為76°(±16.9sd)，西洋樂器平均為87°(±15.5sd)，兩者有顯著差異(p＜0.05)。 關鍵字：南管樂器、音像寬廣特性、主觀心理喜好 Abstract Chinese music development in Taiwan mainly focuses in outdoor performance courtyard. The courtyard in Lungshan Temple is chosen as the location for experimentation. Base on the analytical findings of ancient Chinese architecture sound field, Chen (2002) found that Nan-kaung music is more suitable to be played there as compare to the western music. But there is no unanimous response for reverberation time subjective perception research in the laboratory. On the other hand, traditional stringed and woodwind are the main instruments in Nan-kaung music and that result to the different sound production characteristics. This research further compare sound image characteristics between Chinese and western instruments. The method utilized in this research is to let the participants to listen to solo music of the eastern and western (both are dry sources) in an anechoic room for subjective sound image range (horizontal angle) judgment. This is done to seek required absolute threshold through the adjustment method as to examine apparent sound width of the sound image of eastern and western solo performance (the 一、前言 圖一、聲源寬廣度與聆聽者主觀感受的聲音印象示意圖。Chen，（2002）１利用Ando(1996) 2的優質聲場理論(preference theory)分析鹿港龍山寺之聲場物理性。由於探討的是戶外聲場，餘響時間依據聲源遠近而變化(0.2～0.8sec，500Hz)、而雙耳互函數（degree of interaural cross correlation，IACC）則證明了