滦州皮影及其造型语言在招贴设计中的应用-设计艺术学专业毕业论文.docxVIP

青岛理工大学工学硕±学位论文摘 青岛理工大学工学硕±学位论文 摘 要 现代设计随着大工业生产极速发展进入了新的历史阶段，设计艺术不断提高 的技术和创作速度使得设计作品逐渐显现出程式化和冷漠的视觉感受。设计师们 纷纷开始回头审视自己的传统文化根系，现代设计也必然要从传统文化艺术中找 寻新的方向。 滦州皮影，起源于河北乐亭县(旧属滦州)，流行于冀东平原及东北三省，是 我国传统民间艺术的重要组成。皮影戏在古代也称：影戏，纸影戏、驴皮影、皮人 影等等，是集绘画、雕刻、戏曲唱腔、音乐等多种艺术形式为一体的综合艺术。 在历史进程中与老百姓的生活、习俗、情感血脉相连。 皮影艺术是我国民间美术的重要门类，是古代中国人民对幸福生活的向往在 艺术形式上的充分反映。这种通过艺术形式使人们内心生发情感共鸣，而对某事 物产生美好期望的心理过程，也是现代设计艺术所追求的终极目标。所以，古老 的皮影艺术在现代设计艺术中焕发出的艺术价值和情感体验正被愈来愈多的设计 师所关注。 本文通过对滦州皮影历史流布及造型特质进行分析研究，归纳出滦州皮影雕 刻精巧细腻、敷彩鲜艳生动、造型韵味优美等造型特征。并尝试运用现代设计构 成语言对传统皮影的造型特征在招贴设计中的应用进行一系列的解读和诠释。 关键词滦州皮影；招贴设计；平面设计；造型语言；敷彩；皮影形象 青岛理工大学工学硕士学位论文Abstract 青岛理工大学工学硕士学位论文 Abstract With the rapid development of industrial production，modem designs have stepped into a new historical stage．As tools and technology being constantly innovated，creation cycles are increasingly shortened．All these are making contemporary design works show stylized and indifferent Visual sensation．Thus，in order to find new inspiration and direction，designers slart to look back at the nation’S traditional culture． Shadow Puppet of Luanzhou，originated in Leting County Hebei Province and being popular in Jidong Plain and the three provinces in northeast China，is an important component of traditional：folk art．In ancient times，Shadow Puppet was also named shadow play,paper shad01Ⅳplay,or leather shadow play．Further more；it has always been a comprehensive art form combing painting，sculpture，traditional Chinese opera and music，etc．together．During the historical process，Shadow Puppet has always been closely related to common people’S lives，customs and emotions． Shadow Puppet art belongs to ail important category of Chinese folk art and it fully embodies the ancient Chinese people’S yearning for happy lives．The psychological process of generating fine feelings is just the ultimate goal that modem art design pursuits--arousing people’S emotional resonance by form of art．It is inevitable to apply ancient Shadow Puppet art into modem design art to produce new art value and emotiona