毕业论文：《钢琴演奏的歌唱性研究》.docVIP

PAGE 4 - 湖北文理学院 毕 业 论 文 （设 计） 论文（设计）题目 钢琴演奏的歌唱性研究 学 院 　 音乐学院 专 业　　 音乐学 学 号　　 学 生　　 指导教师　　 2012年　5　月　25　日 PAGE II 钢琴演奏的歌唱性研究 摘要：音乐旋律的歌唱性是贯穿整个钢琴演奏过程的灵魂,是演奏者感受音乐、表现音乐的一条主线,是来自心灵深处的思想和钢琴演奏的完美结合,它可以使情感如诗歌般倾泻,让演奏者与作者心有灵犀,令听者与之共鸣。钢琴演奏的歌唱性之界定历史地看,任何乐器的演奏都是对人声演唱的模仿,音乐的实质就是歌唱。当我们用歌唱的这种内在感觉来弹钢琴，又能把这感觉通过手指转变为相应的琴声时，并运用合理的技术手段和艺术手段实现人的嗓音所达不到的复杂的、多样的歌唱性。歌唱性在钢琴演奏中的音乐表现力方面占有重要地位，同时也是对学生进行审美教育最好的手段之一，是钢琴演奏中最主要的课题，可以说是掌握钢琴这一乐器的根本任务，无疑也是钢琴教学中尽力追求的目标。 关键词：钢琴演奏；歌唱性；方法；乐句；培养；审美 4、三级标题的格式错误。 5“三、踏板的运用”中并未谈到与歌唱性的关系，只是介绍怎样使用踏板，不切题。 6、文中引言和结语部分不出现“引言”和“结语”标题，但结语部分与前面的内容之间空一行。 7、论文在1~1.2万字，你有1.8万以上。文章中有大量的拼接文字，删除与论点无关的内容。 Piano singing study Abstract: Music melody singing is throughout the whole play the piano soul, players feel the music, the performance music a masterstroke, is from the inmost thoughts and the piano of the perfect combination, it can make the emotion as poetry as pouring, give the player and author of the heart, so that the listener and resonance. Piano recital of defined historically, any instruments played on vocals singing imitation, the essence of music is singing. When we sing this inner feeling to the piano, and put it through the fingers into a corresponding chords, and rational use of technology and the art means to realize the peoples voice is not up to the complex, diverse singing. The piano like singing the same, need to a piece of music is divided into a number of different lengths, different forms of the sentences chapters, any single note are of no significance and vitality. The so-called piano singing, is instructing each round sustained notes are connected to each other, form a clear tendency phrase form. In other words, when the player to sing the inner senses -- or soft, or lyric, or happiness, or sadness -- playing the piano, the emotion to play action is converted to a piano, we can say that the performance of singing. Singing in the piano music performanc