散曲语言艺术分析-中国语言文学;中国古代文学专业毕业论文.docx

散曲语言艺术研究摘要 散曲语言艺术研究 摘要 散曲作为继武诗词的文学样式，在语言艺术上既继承了诗词的传统 手法，又体现出适应于该文体表现需要的诸多创新，具有自己的鲜明特 色。具体表现为： 在散曲语言的叙述方式上，既继承传统诗词“代言”、“自言”二 体，又有所新变。“代言体”散曲包孕的内涵较诗词更多样化，在表达 方式上以“记言叙动”为特征。“自言体”散曲既以传统的“意象结 构”表现“情感结构”，又以其独特的“直陈”方式直接表现情感。 散曲语言的结构功能方面，散曲以明朗之言开头，以“浩荡”之语 铺排，以“响亮”之言结尾，也与该文体多作“奔迸式”抒情相适应。 散曲的格律也与诗词大异其趣。在句子更富于表现力、平仄调协灵 活、韵与情完美结合等构成因素的共同作用下，散曲格律体现出一种 “阳刚美”趣尚，跟诗词偏于“阴柔美”迥然有别。 色彩作为散曲的一种特殊语言，既是描景绘人状物的装饰手段，也 是造境抒怀的情感载体。其以虚衬实、对比着色的色彩艺术，对散曲作 为“俗文学”的一面表现得淋漓尽致。 散曲的语言修辞以曲体灵活开放的语言形态为基础，在“滑稽诙 谐”审美风尚的影响下呈现出一种求新逐巧的审美趋向，使散曲在表达 上真正达到“无言不可入，无事不可言”的程度。 关键词：散曲 语言 艺术 A A STUDY oN LANGUAGE ART OF SANQU ABSTRACT As a literary form following poetry，not only did Sanqu inherit traditional tactics of poetry，but it also represented many innovations suitable for its unique style．Therefore， Sanqu carried with itself some distinct characteristics which were embodied in the lbllowing aspects： As tO the manners of narration，Sanqu，while succeeding to two traditional“speech styles”of poetry．‘‘speech—on-behalf style’’and‘‘self expressive style”．also manifested originality to some extent．“Speech-on-behalf style’’Sanqu wrapped up a greater variety of connotations than poetry and featured‘‘noting speeches and motions”．“Self-expressive style”Sanqu．in addition to displaying“emotion structure’’with the help of“image structure”，also expressed emotions directly by means of its specific“speaking frankly”manner． The metrical pattern of Sanqu was rather different form that ofpoetry．With expressive sentences，Sanqu can harmonize level and oblique tones with flexibility and combine the rhythm and emotions into perfection Due to these factors，the rules and forms of Sanqu revealed a“beauty of masculine hardness’’far from the“beauty of feminine softness” sholon by poetry． Being a special language of Sanqu，color acted as not only one kind of decorative means in painting scenes and characters，but also an emotion carried in producing contexts and expressing feelings． By setting the solid off with the void，and employing contrasting