拉康理论视域下的《文心雕龙》枢纽论-比较文学与世界文学专业论文.docxVIP

中文摘要在《文心雕龙》的研究中，对“文之枢纽的研究取得了大量的成果，但其见解在学 中文摘要 在《文心雕龙》的研究中，对“文之枢纽的研究取得了大量的成果，但其见解在学 术界产生了很大的分歧，至今尚无定论。本论文意在拉康理论的视域下，对《文心雕龙》 理论总纲提出的道、圣、文及其关系进行解读，以期为《文心雕龙》的“文之枢纽做出 新的解读。 引言从语言与心理间关系的角度寻找两种理论的融合点，使之成为打开“文之枢纽’’ 这一死结的钥匙。论文主体可分为两部分，第一部分在拉康理论的视域下，通过对魏晋文 化心理的分析，探讨了刘勰的创作主导思想。论文指出，魏晋玄学只不过是一条没有终点 的能指链，所指的缺失导致了玄学的无意义。因此，重建幻象理所当然地成了刘勰的创作 主导思想。第二部分在拉康的实在、他者以及无意识概念的观照下，对道、圣、文及其他 们之间的关系进行了新的阐释。道作为万物的本源，其实质是人的欲望之所在，它是缺失 了的本体存在。圣人无所不能，拥有绝对的权威，是整个社会秩序的建构主体，个人主体 身上根本的异己性存在。经是个超验的能指，处于无意识的地位，是整个民族的文化无意 识。刘勰的“文之枢纽’’表明，作为经典的文处于无意识的地位，是圣人或他者对不可能 的道或实在不懈追求的产物。 关键词：道： 圣； 经； 实在； 他者； 无意识 AbstractIn Abstract In the study on The Literary Mind and Carving Dragon,though the study on‘‘literary pivot”has achieved a lot of fruits，their views had a very great differences of opinion and there is no conclusion in academic circles．The thesis is intended to interpret Tao，Saint，Writing and their relations in The Literary Mind and Carving Dragon in the field of Lacan’S theoretic vision，and Looks forward to make a new interpretation to“literary pivot”in The Literary Mind and Carving Introduction tries to find fusion point of two theories from the point of the relationship between language and psychology,and turns it into a key to open“literary pivot”deadlock．The thesis can be divided into two main parts．In the first part，the thesis discusses the creative dominant ideas of LiuXie through the analysis of Wei Jin culture and psychology in the field of Lacan’S theoretic vision．The thesis points out that Wei Jin metaphysics was only one signifier chain there is no end．Lost signified led to metaphysics lost significance Therefore， reconstructing phantom naturally became LiuXie’S creative dominant ideas．The second part makes a new interpretation to Tao，Saint，Writing and their relations in the concept of Lacan’S Real，Other as well as the Unconscious．Tao，as the origin of all things，is human desire in fact． And it is the lost existence in the ontology．Saint is omnipotent and owns the absolute authority． 1 ie is the pr