刘少椿与古琴艺术-中国琴学专业论文.docxVIP

西安音乐学院硕士论文摘要 西安音乐学院硕士论文 摘要 万方数据 万方数据 万方数据 万方数据 摘 要 陕籍琴人“刘少椿”（1901——1971）是我国近现代著名琴家之一，生于陕西富平， 后随父定居扬州。他一生跌宕起伏，经历过几次社会变革。刘少椿曾向广陵琴家孙绍陶 学习琴艺三年，是广陵琴派第十代传人。他经常参加江浙地区的雅集，曾在南京乐社、 南京艺术学院等地担任古琴教师。通过对刘少椿所遗留的九首音响资料的曲谱与音频情 况分析，其左手操缦技法的细腻丰富与走手虚音的运用，体现出其扎实、不凡的操缦功 底和质朴古拙、独树一帜的操缦风格。在继承师学的同时，其北人南育的性格特质与诸 多艺术领域的深入研学，通过武术的气道、昆曲的神韵、书法的意趣以及养生的理念等 多方面不断的融汇，浑然为一体，以琴曲操缦的形式将气力、腔韵等充分体现，形成了 他独有的人文精神风貌。从刘少椿遗留的文述和后世的评述中可以看出，他对古琴音乐 文化价值的论述及技法与曲意并重的严谨学术与教学态度，是其琴学操缦精神与风格的 体现。 本文在前人研究的基础上，通过对其生平背景、琴事拾要、操缦简析、人文结构等 方面的深入学习，对其琴学操缦精神与风格的形成与体现做以探析。试图呈现出一个尽 可能接近于历史风貌的琴人刘少椿。 关键词 刘少椿；琴学操缦；精神；风格； I 西安音乐学院硕士论文 Abstract Abstract Liu Shaochun(1901-1971) was born in Fuping County, Shaanxi and later settled in Yangzhou with hisfather.Hewas one of the celebrated Qin performers of modern China. He hadundergone ups and d owns, even several social revolutions in his life. He once acknowledged Sun Shaotao as the master and had learned the performance of the Qin from Sun for three years. Therefore He was regarded as the tenth generation successor of the Guangling School. He regularly attended the Yaji (artist-gathering) of Jiangsu and Zhejiang area and was the Qin teacher in Nanjing Music Association and Nanjing Arts Institute.This essay analyses the music scores and audio records of his nine performed pieces, and concludes that the unadorned and unique performance style of t h e s a m p l e i s d u e t o h i s e x q u i s i t e l e f t h a n d t e c h n i q u e s a n d l i n g e r i n g performingcharm. Besides the succession of Guangling School, his personality was profoundly infl u e n c e d by t h e a r t i s t i c g e n r e s in s o u t h e r n C h i n a , s u c h a s t h e r e s p i r a t o r y c o n t r o l of m a r t i a l a r t s , t h e v e r v e of t h e kunqu o p e r a , t h e i n t e r e s t of calligraphy and the concept of health keeping. And eventually all these helped to shape his unique humanistic spirits. According to his a