论传统山水画中的寒林表现-美术学专业论文.docxVIP

万方数据 万方数据 摘 要 寒林作为山水画中的一种特殊题材，作为树的一种图式类别，是一个重要课 题，在山水画的创作中，占有举足轻重的地位，无论是笔墨还是构图上有其独特 的魅力和韵味，画面传达出一种冷寒、荒远苍古、萧疏淡泊的趣味，追求古朴、 清劲的画风，而使画面呈现出孤独与凄清的气氛，冷寂清幽之美。笔者希望通过 对传统山水画中寒林表现详尽而全面的分析，总结出寒林的特征，探讨出寒林表 现规律，解析其存在的价值，期望最终能够实现理论与实践的完美统一，在自己 的创作中加以应用。 本文把传统山水画中的寒林作为研究对象，以寒林的概述为主线开篇，通过 特殊意境、审美、寓意分析，思考营造萧疏淡泊意境成为画面最高追求的原因， 联系寒林所表现的寒、空灵、清的意境，进入画家静中见净、以静制动的审美精 神世界，领悟寒林寄寓的深遂内含。并就不同时令、不同环境条件下寒林的姿态， 不同枝法特征、笔墨特征方面进行分析归纳出传统山水画中寒林的技法特征。进 一步剖析春意寒林、秋索寒林、雪景寒林，古木寒林、枯木寒林，并就传统山水 画中出现的典型树种，从寒松到寒柳再到杂树寒林，通过结合古代山水的作品进 行了详细的分析、探讨，试图从不同角度全面透彻的理解寒林，解析其存在的价 值，感悟传统山水画寒林之美。 关键词：传统山水画；寒林；萧疏；冷寒 I Abstract Sitavana as a special theme of landscape painting, as a kind of schema category of tree, is an important subject, with the creation of landscape painting, occupies an important position, whether ink or composition with its unique charm and flavor, the picture conveys a cold , drought far antiquity, bleak indifferent taste, the pursuit of primitive simplicity, secluded painting style, and make the picture show the atmosphere of loneliness and sorrow, the beauty of its beautiful. The author hope that through to the traditional landscape painting in the Sitavana detailed and comprehensive analysis of the performance, summarizes the characteristics of Sitavana, to explore the rule out Sitavana performance, analysis the value of its existence, expect to eventually be able to achieve the perfect unity of theory and practice, as well as applications of his creation. In this paper, the traditional landscape painting in the cold forest as the research object, start with overview of cold forest as the main line, through the analysis of the special artistic conception, aesthetic, moral, thinking indifferent build desolate artistic conception as the highest pursuit of the cause of the picture, contact Sitavana is cold, empty spirit, pures artistic conception, into the painter still see net, with static braking the aesthetic spirit of the world, realize Sitavana concepts to be embedded. Under different environmental co