论1980年以来表现海峡两岸关系的华语电影-艺术学；电影学专业论文.docxVIP

摘要 摘要 I I 摘 要 台湾海峡两岸近六十年的政治、经济、文化关系以及民众间的交流往来，一 直是当代文艺创作中有着特殊意义的一类内容，也是华语电影极少表现的边缘题 材。20 世纪 80 年代以来，中国大陆和台湾的一些华语电影导演把镜头对准了海 峡两岸关系这一题材，以影像的方式反映海峡两岸关系这一历史和现实的重大命 题，变现实中的海峡两岸关系历史为影像中的历史，并都以各自独有的方式表达 着对国家统一的深切期盼和对两岸关系的历史反思。 论文主要研究 1980 年以来大陆与台湾两地出品的表现海峡两岸关系题材的 华语电影。分析 1980 年以来大陆、台湾地区表现海峡两岸关系的电影作品的主 题、影像风格以及各阶段的创作语境。揭示海峡两岸关系影片的总体特征——多 以普通人的日常生活作为主要叙事内容，以叙述两地亲人间的思念和交往来追溯 两岸历史渊源。绕开正面的政治历史争论，用个人叙事代替宏大的历史叙事，将 民族记忆巧妙转换为个人记忆，在个人的情感故事中表达对国家统一的期盼。 论文还探讨表现海峡两岸关系的华语电影与历史的关系，论述电影文本在实 现其历史话语权时借助的修辞手法——隐喻、反讽、互文，分析影像中的历史与 真实的关系问题。此外，提出该题材电影的历史影像所具有的多重意义，有关身 份认同、华夏文明和寻根文化等。 在此基础上，论文揭示表现海峡两岸关系的华语电影的主流价值观念、两岸 民间意志和市场运作范式，论证海峡两岸关系题材电影特有的意识形态策略：人 为化地重写历史，建构体验和想象的双重关系，从政治领域回归日常生活。近期 出品的海峡两岸关系电影出现淡化意识形态表达的趋势。 关键词：华语电影 两岸关系 历史话语 意识形态 修辞手法 Abstract Abstract II II Abstract Communications between peoples and groups ,as well as the relation of culture, politics and economics between the two sides of the Taiwan Straits in the past 60 years ,is a part of Present artistic creation,holding exceptional historic significance all through. It is also as a marginal theme that the past Chinese language films seldom give expression to. Since 1980, some Chinese film makers from both Taiwan and the mainland have aimed at the theme of cross-strait relations. As a principal proposition on Histories and Realities, cross-strait relations are reflected by films, which have change the reality of cross-strait relations for the image of history. They have expressed the deep unity of the country looking forward to and have reflected on the history of cross-strait relations. They also have been sincerely looking forward to the reunification of the motherland. In addition, they have expressed Historical Introspections on Cross-strait relations by a unique way of their own. The paper mainly has studied the Chinese language films which present of the cross-strait relations. These films manufactured by film makers from both the mainland and Taiwan since 1980. Subject, image style and context of the various stages of