论唐诗中的风雨意象-中国古代文学专业论文.docxVIP

山东师范大学硕士学位论文 山东师范大学硕士学位论文 山东师范大学硕士学位论文 山东师范大学硕士学位论文 PAGE PAGE IV III III 情感内涵在唐代不同时期的发展变化。在不同时期，诗人对意象的选择各有区别。面对同 一意象，不同诗人也呈现出不一样的特色。诗人的个性和时代的共性达到了完美的融合。 结语部分总结概括了唐诗中风雨意象在情感和艺术上所取得的成就。 关键词：唐诗；风雨意象；情感内涵；时代特色 分类号：I207.22 Abstract Literature and art are beyond time and space, it is specific environment, is the embodiment of the human emotions human truths of development and national cultural psychological testimony. Rain early in the book of songs images of aesthetic world of already entered human, get in offspring poet of displaying and intoned comprehensive in ancient Chinese poems, is one of the earliest images. Nature and man are inseparable, rain as a natural phenomenon, were different times poet consciously choose to processing, and embodies the poets emotion and will. Rain cold, QiMi, bleak, can make all touch sensitive characteristics of homelessness, causing them to the poet of life is short, future frustrated, lost from the group, while the feeling as occasionally poets emotion experience also subsequently to infiltrate rain imagery in. Rain from pure natural object development as the symbol of literati with poet, mood set up stable emotion corresponding model, is in the tang dynasty was able to determine. This paper in the tang poetry images the accumulation of rich wind emotional connotation and unique times spirit as key points of discussion. Full text ZhengLun, endnotes by introduction, three components. Preface part of writing the paper origin and current research status of imagery storms. The subject of this paper is ZhengLun composed by four chapters, where. The first chapter basically introduces image in the meaning in Chinese ancient literary theory, on the basis of analysis of the image and artistic conception relationship and difference between the implied, metaphor, image than, xing sex and poetry traditional relational. In clear after the concept of the image, further explained the rain in the beginning of images produced by the virtue of the m