论吴祖光话剧与传统戏曲的艺术联系中国现当代文学专业论文.docxVIP

I I 摘 要 摘 要 作为“舶来品”的中国话剧艺术自然受到了外国戏剧明显的影响，但它在进入中国 文化语境，尤其是受到中国传统诗词、戏曲、民间曲艺、民间说唱以及民族审美情趣影 响的同时，也不断地被中国化了。张庚早在 1939 年就富有前瞻性地提出了“话剧民族 化与旧剧现代化”的论断，同时作家们的创作也在践行着这一观点。 笔者在学界已有研究的基础上，进一步将吴祖光话剧创作与传统戏的历史渊源厘 清，进而讨论吴祖光的话剧在借鉴东西方戏剧基础上所实现的超越。文章立足于中西方 戏剧艺术显隐杂陈影响下的 20 世纪中国话剧创作这一背景，概述吴祖光的话剧创作语 境，认为从吴祖光的家学渊源、成长环境、知识结构、交往背景等构成了其话剧创作与 传统戏曲结缘的生成机制；在这种生成机制下，他格外重视对民族传统审美风格的学习 和借鉴：彩线串珠的戏剧结构、戏中戏手法的运用，鲜明戏剧化的人物塑造以及诗剧化、 写意化的审美追求等等。不仅如此，吴祖光的话剧创作还力求在实现话剧民族化基础上 的超越——话剧艺术民族化与现代化的完美结合。 关键词 吴祖光 话剧创作 传统戏曲 民族化与现代化 II II Abstract Abstract Chinese dramas ,as “exotic”,be significantly influenced by foreign drama arts. But it was in the Chinese cultural context, especially by traditional Chinese poetry, opera, folk music, folk, rap, and ethnic aesthetic taste affect also continue to be in China. As early as in 1939, Mr. Zhang Geng forward - looking proposed drama nationalization and modernization of the old drama assertion. At the same time, the creation of the writers also practicing with this view. The author on the basis of academic studies have further clarify the historical origins of the creation of WU Zu-guang drama and traditional opera, WU Zu-guang drama beyond learn from the East-West drama based on further discussion. Articles based on the explicit and implicit ye Chen under the influence of the Western dramatic art of the 20th century drama created this background, an overview of the WU Zu-guang drama writings, WU Zu-guang family history, environment for the growth, structure of knowledge, contacts and background constitute drama creation and the formation mechanism of the traditional opera form lasting bonds; In this generation mechanism, he paid special attention to and learn from the nations traditional aesthetic style，Color line beaded dramatic structure, the play within the play tactics and the distinctive dramatic characters as well as drama and the freehand pursuit. Moreover, Mr. Wu Zuguang drama creation also seeks the perfect combination to achieve the nationalization of drama based on