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A N G E L A K I
journal of the theoretical humanities
volume 8 number 2 august 2003
I
Among the themes that tend to dominate
general discussion of recent French philos-
ophy, four seem to recur with particular
frequency. Complexity: the field retains a linger-
ing reputation for daunting if not arcane diffi-
EDITORIAL
culty and sophistication, which restricts access
to initiated insiders only. Subversion: recent INTRODUCTION
French philosophy is supposed to have broken
with the sterile certainties of metaphysics, to
have exploded the benign intimacy of the
subject, shattered the stability of reflection, peter hallward
undermined every figure of the absolute or
immediate. Eclecticism: in place of traditional
concerns with being and truth, French philoso- THE ONE OR THE
phers are supposed to have drawn their inspira-
OTHER
tion from the sciences and humanities, from
psychoanalysis, from anthropology, from french philosophy today1
linguistics, from the artistic avant-garde, and
more recently from liberalism, analytical philos-
ophy, and so on. Exhaustion: over the last themes and you‘ve got a discipline in retreat, a
twenty years, in particular, our philosophers are despondent branch of learning defeated by its
supposed to have stepped back from the more unsustainable ambition and subsequently
radical implications of their most subversive rearranged by needs external to its own, needs
declarations – the end of philosophy, the death borrowed or imposed by government, pedagogy,
of man, the dissolution of the subject – to accept sci
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