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Song Literature: Ci poetry;In Chinese, one does not speak of writing ci but of filling in ci; that is, filling in lyrics to a known melody. Lyrics are identified by the title of the tune prefaced with to”, e.g., “To the tune of ‘Washing Creek Sand’.” ;Ci Poetry: Characteristics;;Famous Ci Poets before the Song;Examples of tune patterns;To the Tune “West of the Little Market”by Liu Yong;To the Tune “West of the Little Market”by Liu Yong;By Wang Shen, Song
“Women and Morning Mirror”
On silk;To the Tune of “EverySound Slowly”by Li Qingzhao;Li Qingzhao(con’t);To the tune of “Deva-like Barbarian”
Blossom bright, the moon dark, shadowed in thin mist,
Tonight’s just right for making my way to you---
In stocking feet she goes out by the scented stairs,
Holding in her hand her gold-threaded slippers
On the south side of the painted hall she sees him,
Clings to him for a time, trembling---
It’s so hard for me to slip away,
[tonight] you may love me any way you please!
;Su Shi (Su Dongpo,1037-1101)
The best of the Song ci poets
Brought ci to a great height and new frontier
Style is generally masculine
Most widely read: “Song of River City,” “Prelude to Water Music,” “Immortal at the River”; “Prelude to Water Music” (水調頭歌) by Su Shi
(On Mid-autumn night of the year bingchen (1076), I drank merrily until dawn, got very drunk and wrote this poem, all the while thinking longingly of Ziyou.)
Bright moon, when did you appear?
Lifting my wine, I question the blue sky.
Tonight in the palaces and halls of heaven
What year is it, I wonder?
I would like to ride the moon, make my home there,
Only I fear in porphyry towers, under jade eaves,
In those high places the cold would be more than I could bear.
So I rise and dance and play with your pure beams,
Though this human world—how can it compare with yours?;Circling my red chamber
Low in the curtained door
You light my sleeplessness*
Surely you bear us no ill will—
Why then must you be so round at times when we humans are part
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