马勒歌曲集《少年魔角》的诗乐反讽研究.pdfVIP

华东师范大学硕士学位论文 摘要 反讽从古希腊的戏剧角色逐渐演变成修辞手法，后在浪漫主义时期成为哲 学、美学、艺术关注的对象，如今众多领域的艺术家将反讽运用在作品创作 中。音乐作为人文艺术学科的分支，不少国内外音乐研究者对于音乐中的反讽 有所研究。本文首先探究反讽的释义和流变及其在艺术创作中的表现，其次对 音乐中反讽概念的梳理，归纳总结出音乐反讽的表现形式，最后论文聚焦于音 乐反讽创作中最具代表的作曲家马勒，以他的歌曲集《少年魔角》为研究对 象，从诗词文本、音乐创作中深入探究歌曲集中反讽的体现，并总结归纳出马 勒反讽的深意，为音乐作品中的反讽研究供一些可参考价值。 全文共分为三个部分。第一部为第一章主要论述了研究意义，国内外研究 现状，探寻关于反讽研究的广度和深度，为本文的研究供理论支持。第二部 分为第二章和第三章。阐释了反讽释义的流变及类型，以及反讽在其他艺术学 科的界定与表现，并通过国内外研究学者对于音乐反讽的研究，总结梳理出反 讽在音乐中的表现，为本文研究供理论基础。第三部分是第四章和第五章。 将音乐中的反讽予以应用，探究马勒歌曲集《少年魔角》中的诗词与马勒颠覆 性的音乐反讽表达，分析和探讨该作品诗乐反讽的具体表现，进一步探索马勒 音乐的反讽表达产生的原因及对其他作曲家的影响。 关键词：反讽 音乐反讽 马勒 少年魔角 华东师范大学硕士学位论文 abstract Irony is the dramatic role of ancient Greece gradually evolved into rhetoric, and later became the focus of philosophy, aesthetics and art in the period of romanticism. Nowadays, many artists use irony in their works. As a branch of Humanities and arts, many researchers at home and abroad have also mentioned irony in music. This paper summarizes the forms of musical irony by combing the concept of irony in music, focusing on Mahler, the most representative composer in the creation of musical irony. Taking his collection of songs Des Knaben Wunderhorn as the research object, this paper makes a deep study of the expression of the concentrated irony in songs from the text of poems and music creation, and summarizes the profound meaning of Mahlers irony. To provide a little reference value for the study of irony in music works . The paper is divided into three parts. The first part is the first chapter and the second chapter, which mainly combed the research status at home and abroad, inspected the depth and breadth of its research, as well as its vision and scope in other related fields. On this basis, the second and third chapters e