当代工笔人物画造型中的写实性对我的创作影响.pdfVIP

摘 要 在中国传统的绘画理念中，造型一直占据着重要的地位，古代传统的工笔人 物画崇尚意象造型，讲究气韵生动，十分注重客观事物中“神”和“意”的表达， 而且巧妙地以线为造型基础。当代以来中国传统人物画受到西方造型艺术的影 响，其绘画观念也受到了强烈的冲击，在造型的表现上，写实性的造型影响深远， 同时也取得了重大的突破。 本文着重研究人物画造型的写实性，力求在继传统的中国工笔人物画基础上 探索新时期的面貌。在此过程中，总结了一些绘画方法和技巧，并且认识到在绘 画中要辩证地看待真实与艺术之间的关系，找到其中的平衡点，尽可能的在现实 生活的基础上去追求艺术性，同时特别注重造型的主观意识。通过对文献材料和 理论数据的收集与研究，在充分借鉴了前人的多年绘画创作经验的基础上，加以 探索和创新总结出了属于自己的绘画毕业艺术创作及其感悟和心得，为今后绘画 艺术创作之路的发展提供了更好的理论依据和对实践的指引。 关键词：当代；工笔人物画；造型；写实性 I Abstract In the traditional Chinese painting concept, modeling has always occupied an important position,the ancient traditional meticulous figure painting advocates image modeling,pay attention to vivid charm,pay great attention to the expression of god and meaning in objective things, and skillfully take the line as the modeling basis. Since contemporary Chinese traditional figure painting has been influenced by western plastic arts, and its painting concept has also been strongly impacted. In the performance of modeling, realistic modeling has a profound impact, but also made a majorbreakthrough. This paper focuses on the realism of figure painting modeling and tries to explore the appearance of the new period on the basis of traditional Chinese meticulous figure painting. In this process, summed up some painting methods and techniques, and realized that in painting to dialectically look at the relationship between reality and art, find the balance point, as far as possible on the basis of real life to pursue artistry, and pay special attention to the subjective consciousness of modeling. Through the collection and research of literature materials and theoretical data, and on the basis of drawing lessons from predecessors, we can find out their own experience of graduation creation and perception, which provides a better theoreticalbasisandpracticalguidance for thefutureart cre