京剧服装 Beijing opera costumes_部分2.pdfVIP

Figure 6.30. The long magua com- bined with thejianyi, both absorbed from Qing-style clothing, indicates travel for court characters. The two garments may be worn with the damao (Mongolian hat) of barbarian kings. (This character is Han, but he is mar- ried to a barbarian princess.) His beard is the san liuran. The Red­Maned Fiery Steed (Hongzong liema). Character: Xue Pinggui, actor: Yan Shiqi. BJC, Beijing, China. October 6, 2001. filigree helmet with pearls and woollen balls or a fabric lone combatant in Fight at Crossroads Inn (Sancha kou) da banjin with a neck flap worn with a metal filigree ezi during a fight that takes place in the dark for the char- (Fig. 7.39 worn with a vest andjianyi ). acters, but occurs on a fully illuminated stage (ACTO, Beijing, China. June 2, 2002) (Fig. 1.6). Baoyi (Lit. “leopard” or “embracing” clothes) Color and Roles. The jacket and trousers are of matching colors, and the moving water layers have one Description and History. The precise meaning of bao or two contrasting colors. White or pink baoyi repre- in baoyi is unclear, as it could refer to “leopard/panther” sent brave youths,jing often wear black or green baoyi, or “embracing,” as the costume is held tight to the body and a laosheng will likely wear olive green. The baoyi by silken cords. And because heroes wear the baoyi, the also comes in red and blue. garments are also referred to as hero clothes (yingxiong Ornamentation and Roles. There are two versions yi) . Worn for martial arts, the baoyi is also called dayi of the baoyi hero’s jacket and trouser set, one embel- (fighting cl