明代肖像画分析与个人创作实践研究.pdfVIP

摘 要 肖像画是人物画的一种，在中国古代，把传统的肖像画称为“传神”或“写 真”，通过 “以形写神”、“迁想妙得”等创作方法，去着重描绘刻画人物本身 的外在特征与其内在的神韵，从而达到“形神兼备”的效果。它要求画者对于人 物的外貌、体态、服装等作真实生动的描绘，从而反映出画者本人的感情。笔者 的见解皆是通过人们的一颦一笑，一抬手一投足之间观察而得，在大自然孕育下， 人们呈现不同的风情与气质，笔者从中获得灵感，用笔将思绪挥洒在纸上。 本文从肖像画入手，结合中国当代工笔人物画的特点与技法，以明代肖像画 风格作为切入点，浅析笔者的创作。本次创作不仅为探究人物的面部塑造，皮肤 质感等艺术语言的使用方式，更希望通过深刻的表达将人物的气韵凸显而出。 关键词：人物；肖像；工笔 I Abstract Portraitureisakindoffigurepainting,accordingtothepaintersdifferent creationneedsandexpressiontechniques,dividedintohead,bust,full-lengthportrait and soon.In ancient China,traditionalportraiturewascalled vividor pictorial, andbymeansofcreationmethodssuch as writingthegodwiththeformand transferringthecharm,itwasemphasizedtodepicttheexternalcharacteristicsand theinner charm ofthecharacters,soastoachievetheeffect of both form and spirit. It requiresthepainter tomakeareal andvividdescription oftheappearance,body andclothingofthecharacters,so astoreflect thefeelingsofthepainterhimself.The authorsinsightsarethroughpeopleseverytwinkleand smile,aliftingafootbetween theobservation and,inthenaturegestation,peoplepresent adifferent style and temperament,theauthor from inspiration,withpen willbethoughtsonpaper. The article starts with portrait painting, combines the characteristics and techniques of Chinese contemporary meticulous figure painting, and analyzes the authors creation from the perspective of Ming dynasty portrait painting style. The purpose of this creation is not only to explore the use of artistic language such as facial shaping and skin texture, but also to highlight the characters charm through profoundexpression. Keywords:Character Portrait TraditionalChineseRealisticPainting ； ； Characterizedby FineBrushwork II