双钢琴演奏探究——以肖斯塔科维奇《a小调双钢琴小协奏曲》op.94为例.pdfVIP

摘 要 本文着眼于双钢琴的演奏形式，其形式同钢琴独奏、钢琴协奏和四手联弹皆 有不同。双钢琴如此两架钢琴相对放置的模式，这与其他的钢琴演奏形式相比突 破了传统，更加新式，且需要两位演奏者的默契配合才能使乐曲得到完美的呈现。 本文分三个章节论述肖斯塔科维奇的《a小调双钢琴曲小协奏曲》op.94（以 下简称 《小协奏曲》）。第一章，论述双钢琴与其他钢琴演奏形式的差别，简述 其演奏形式的独特之处。第二章，有关肖斯塔科维奇的人物介绍以及这首小协奏 曲的乐曲分析。第三章从 《小协奏曲》演奏角度出发，探究这首作品在演奏过程 中的重难点。这首作品程度不会非常深，但着重要求演奏双方的前期准备与合作 能力，只有当两位演奏者合奏时，才能真正的听出乐曲的全貌。这也是双钢琴演 奏的特点，但合作恰恰是演奏的难点。在演奏合作中不断研究，不断寻找合适的 演奏方法，一步步分析与探究双钢琴演奏中的其他要点并去解决，并分享笔者在 弹奏与学习过程中的感受。 关键词：双钢琴；演奏要点；舞台表现；探究；合作 I a op.94 双钢琴演奏探究——以肖斯塔科维奇的 《小调双钢琴曲小协奏曲》 为例 Abstract This paper focuses on the performance form of double piano, which is different from piano solo,Piano Concerto and four handjoint play.Compared with other piano performance forms, the mode of two pianos relative placement breaks through the tradition and is more new, and requires the tacit cooperation of two performers to makethemusicperfectlypresent. This paper is divided into three chapters to discuss Shostakovichs two piano piece Concerto.The first chapter discussesthe differencesbetween the doublepiano and other pianoperformance forms, and describestheuniqueperformance forms.The second chapter is about the introduction of Shostakovich and the analysis of this concerto. In the third chapter, from the perspective of double Piano Concerto, the author exploresthekey and difficult points in theprocess ofperformance.The degree ofthiswork isnot very deep,but it requiresthepreparation and cooperation ability of both sides. Only when two players play together, can they really hear the whole picture of the music. This is also the characteristic of double piano performance, but cooperation is just the difficulty of performance. In the process of performance cooperation, we should continue to research a