文化遗产纪录片《汉正街》的真实性和主观性关系研究.pdfVIP

江汉大学硕士研究生学位论文 第 Ⅰ页 摘 要 自纪录片诞生以来，关于纪录片真实性和主观性的讨论从未停止且并无定论。真 实性是纪录片的基础，主观性又赋予纪录片一定的审美内涵，随着纪录片种类不断丰 富，二者的界限逐渐模糊，呈现出平衡关系。尤其是其中的文化遗产纪录片，在真实 性与主观性平衡关系方面呈现出较强的独特性，其具体表现为：内容上保证真实性， 通过对拍摄对象、叙事角度和口述历史采访运用的结合，强化纪录片的真实感和人文 情怀；拍摄和制作上发挥主观能动性，写意镜头和后期的艺术表达都是进行主观创作 的良好途径，以此来明确主题和创作者的意图。 文化遗产纪录片对于真实性和主观性关系的处理方法具有较强的价值意义。个人 作品《汉正街》是一部记录历史街区汉正街的文化遗产纪录片，汉正街在武汉近代历 史发展中呈现典型性特征，因此汉正街是非常有代表性的文化遗产纪录片拍摄对象。 在此基础上，从平衡关系入手来处理文化遗产纪录片创作过程中的真实性和主观性， 既有利于提高文化遗产纪录片的纪实功能和审美内涵，也对“纪录片真实性与主观性 关系”这一理论的研究进行了细化和深入。 关键词 文化遗产纪录片；真实性；主观性 江汉大学硕士研究生学位论文 第Ⅱ页 Abstract Since the birth of documentary, the discussion on the authenticity and subjectivity of documentary has never stopped and no conclusion has been reached. Authenticity is the basis of documentaries, and subjectivity endows documentaries with certain aesthetic connotations. With the increasing variety of documentaries, the boundary between the two is gradually blurred, showing a balanced relationship. In particular, the cultural heritage documentaries present a strong uniqueness in the balance between authenticity and subjectivity, which is embodied in the following aspects: ensuring authenticity in content; strengthening authenticity and humanistic feelings of documentaries through the combination of subjects, narrative perspectives and oral history interviews; Shooting and production give play to subjective initiative, freehand shots and artistic expression in the post-production are good ways for subjective creation, so as to clarify the theme and the intention of the creator. The documentary of cultural heritage is of great value to deal with the relatio