新时代年代剧创作的艺术特征研究.pdfVIP

摘 要 21世纪初期，自一部近代题材电视剧 《大宅门》播出至今，“年代剧”这一国产电 视剧类型便开始进入观众视野，这类电视剧以家国同构的叙事模式，戏剧化的故事情节 来书写近代传奇故事，其带有主观性的历史叙事、跌宕起伏的人物命运、孕育其中的爱 国情怀和民族情感一出现便吸引了大量观众，逐渐成为国产电视剧的热门类型。“新时 代”的到来，代表着社会正进入巨大的转型时期，考察新时代年代剧的创作实践，可以 发现电视剧文本在叙事特征、话语表达、文化内涵这三个方面具有一些值得思考的问题。 其一，年代剧的历史叙事发源于传统红色经典影视剧，不仅如此，依托 “家国同构”的 内在话语逻辑，年代剧将个体叙事与历史叙事相结合，或平行或交织，对于 “革命”的 书写除了沿用传统的“革命＋爱情”的叙事模式，往往注重对人物个体化的书写，以及 对 “革命”神圣性进行解构；其二，随着近几年文化结构的变化，使得隐藏在年代剧内 部的官方话语和民间逻辑得以显现，并且不再以对立的状态出现，而是形成某种程度上 的融合；其三，年代剧中以家喻国的叙事法则折射的家庭伦理观念，揭示年代剧获得认 同的民族、传统文化内涵，历史叙事对当代思想意识、价值追求和审美情趣的观照，以 及时代转变伴随的主流价值观的转变和社会文化动因。 关键词：年代剧；新时代；艺术特征 研究类型：基础研究 Abstract At the beginning of the 21st century, since a modern TV drama The Great Mansion Gate was aired, era drama, a domestically produced TV drama type, began to enter the audiences field of vision.Writing modern legends, its subjective historical narrative, the ups and downs of the characters fate, the patriotic feelings and national emotions that nurtured it attracted a large number of audiences, and gradually became a popular type of domestic TV series.The arrival of the new era represents that society is entering a huge period of transformation.Examiningthe creativepractice of dramas in thenew era,we can findthat TV drama texts have some issues worth thinking about in three aspects:narrative characteristics, discourse expression,and cultural connotation.First,thehistoricalnarrative ofthetime drama originated from the traditional red classic film and television drama. Not only that, but also relying on the inherent discourse logic of home and country isomorphism, the era drama combines the individual narrative with the historical narrative, either parallel or intertwined. In addition to the traditional revolution + love narrative mode, the writing of revolution often focuses on the individual writing of characters and the deconstruction of the sacredness of revolution; second, with the cha