清代匾额书法研究.pdfVIP

摘要 摘 要 本文以清代匾额书法为主体，对其概念、兴盛的背景、艺术特征、代表书家及价值，进 行了概括性的梳理和阐释。力求探索匾额书法在不同文化语境下的审美表达，挖掘其艺术价 值及实用价值，揭示清代匾额书法不同于前几朝的艺术特征。 尽管匾额书法兴盛有着复杂的综合性因素，比如朝代的更迭，碑学书法的发展，官方机 构的倡导及制作水平的提高等等，对清代匾额书法的发展和推动都有着直接的关系。但匾额 书法发展最直接的因素还是书法艺术自身发展的逻辑结果，其次是受清代书法大环境的影 响。因此本文在论述匾额书法兴盛的学术背景时，重点放在清代碑学书法的发展方面，对官 方机构的推动、制作水平的提高等因素，只是辅助性的说明。 从秦代出现题榜的“署书”开始，经唐宋、元明完善匾额书法理论的构建，再到清代匾 额书法创作传播为风气，清代匾额书法不仅涉及书法史观、书法理论的重新构建，而且带来 清代书法创作从技法到观念上的巨大转变。康有为先生将清代匾额书法不同于前几朝的原因 归结于“方笔作榜书最难，庄雅严重，美于观望，非深于北碑者，寡能为之而无弊矣。”即 写榜书要“熟精碑法”。在匾额书法兴盛的表征背后，其本质是碑学的兴起。作为一种以文 字为载体的艺术，书法在兼具艺术形式本身审美价值的同时，还承载着传播思想的文化功能 和传递文字信息的实用价值。这种特殊性，决定了匾额书法的重要性，在印刷技术极不发达 的清代，其发挥了很大作用。 关键词：匾额书法，碑学，艺术特征，价值 I Abstract Abstract This paper, taking the calligraphy of plaque in Qing Dynasty as the main body, makes a general combing and explanation of its concept, background of its prosperity , artistic characteristics, representing calligraphers and its value. And this paper tries to explore the aesthetic expression of plaque calligraphy in different cultural contexts, excavate its artistic value and practical value, and reveal the artistic characteristics of plaque calligraphy in Qing Dynasty differing from those of previous dynasties. The prosperity of plaque calligraphy has complex and comprehensive factors, such as the change of dynasty, the development of tablet calligraphy, the promotion of official organizations, the improvement of production level, and so on, all of which have direct relationships in developing and promoting plaque calligraphy in Qing Dynasty. However, the most direct factor of it is the logical result of the develop