论“戏子”形象反讽刺性审美认知.pdfVIP

目录 论“戏子”形象反讽刺性审美认知 0 前言 1 一、关于“戏子”的文化考释 1 二、反讽刺性戏子形象书写2 （一）给予人道主义哀悯型的“戏子”——秦瘦鸥《秋海棠》 2 （二）、张恨水笔下“反讽刺”型优伶3 （三）、性别错位型“戏子”—— 《霸王别姬》之程蝶衣5 （四）、“戏子”形象的转型性呈现——赵树理《李有才板话》 6 （五）、世纪末转型期的“戏子”——毕飞宇《青衣》 7 三、“戏子”形象的反讽刺性审视总结8 参考文献 9 论“戏子”形象反讽刺性审美认知 摘要：“戏子”这一称谓在现代的社会话语之中是处于被贬抑的地位，追溯历史我们考释 发觉对于戏子身份的认定亦是浮浮沉沉，扬抑兼而有之。而在文学史之中“戏子”形象的塑造 也随时代环境、文艺政策、大众审美、文化话语认定等等一系列的因素发生着改变。对于戏子 形象的塑造以及所对应的时代对于其身份认定，一定程度上存在着对应关系，通过对比、分析 两者之间对应关系，以及不同戏子形象异同分析，把握戏子形象在作品中独特的生命轨迹，品 析“戏子”形象在文艺作品中艺术生命的定位。戏子作为一种职业身份迁移入文学作品之中， 作为人物塑造、情节构成等等因素被呈现出来，势必会受到来自于作家的感情评判，戏子形象 的情感认定在一定程度会反映作家的对这一职业身份的认知态度，同时也会是社会思想影子般 的呈现。 关键词：戏子文化、身份认定、反讽刺性、差异性形象 The ironic aesthetic cognition theory actor image AbstractActor the appellation words in modern society is due to be disadvantageous position, traces the history of us best.i actor the cognizance of identity is also drifting sinking, Yang or both. And in the history of literature actor image and shaped over time environment, the policy of literature and art, the public aesthetic, cultural discourse, and so on a series of factors changing. For actor era of image and corresponding to its identity, to some extent, there is a corresponding relationship, through the comparison and analysis of corresponding relationship between, and the analysis of the similarities and differences between different actors image, grasping the actor image in his works unique life trajectory, product analysis actor image in literary works, artistic life. Player as a professional identity migration into literary works, as characters, plot, and so on factors, will be from the writers emotional evaluation, actor image emotion identified in part reflects the writers