关良、马书林京剧写意人物画研究.pdfVIP

摘要 摘 要 京剧与中国画都是中国传统文化瑰宝。关良与马书林是当代京剧写意人物画创作 中具有代表性画家，两位画家以中国传统的写意绘画语言，融合现代绘画艺术的色彩 与构成，表现出具有浓郁东方意味的中国画戏剧写意人物作品。 本文以京剧为切入点，中国写意人物画为核心，以京剧写意人物画画家关良与马 书林的作品为案例，从传统写意人物画与关、马京剧写意人物画的关系进行梳理；对 关良和马书林两位画家简练的构图、稚拙的造型、独特的笔墨表现和主观设色的绘画 语言进行分析，解读二人艺术作品中的共性与个性，以此来总结出二人绘画风格的特 点和个性语言的形成与表达，希望给予京剧写意人物画的创作者提供借鉴。 文章引用案例分析了关、马京剧写意人物画文化体现、艺术审美及情感表达的内 涵，意图从继承中国画笔墨技法、弘扬中国画写意精神、弘扬民族传统文化等视角找 出京剧与中国画融合的艺术价值。阐述了中国当代画家的艺术创作应不断挖掘、融入 中国传统民间艺术，进而创作出具有民族特色、时代精神，符合时代要求的艺术作品。 关键词：京剧；写意人物画；马书林；关良 1 目录 目 录 绪论 ·····················································································1 一、研究对象及研究意义 ····································································1 二、国内外研究现状 ··········································································2 三、研究内容及重难点 ·······································································3 四、研究思路与研究方法 ····································································4 五、主要创新点 ················································································4 第一章 关良、马书林与京剧写意人物画 ·····································5 第一节 京剧与写意人物画的关系····························································5 一、京剧的写意性 ·············································································5 二、京剧艺术充实写意人物画 ······························································6 第二节 关良与马书林京剧写意人物画的传承·············································6 一、关、马对传统写意人物画的延续 ·····················································6 二、京剧写意人物画发展现状 ······························································9 三、关良与马书林京剧写意人物画绘画风格演变 ·····································10 第二章 关良与马书林京剧写意人物画内涵分析···························12 第一节 关良、马书林作品中文化内涵体现···············································12 一、关、马写意画中京剧文化的体现 ····