(2.2.1)--2美从何处寻汉字的造型特征.pptVIP

美从何处寻—美之回眸 第二章 Chapter 2 2.3 中国传统审美思想和美育思想简介 庄子 Chuang-Tzu Lao Tzu 老子 Lao Tzu Thought 老子美学思想 道 象 气 有 无 虚 实 自然 Tao Emptiness Reality Being Qi Image Nature Nothing He objected to excessive embellishment and affectation. 反对过分的雕琢和做作 the way of nature and the aesthetic experience of returning to the nature of heaven and earth is the deep and real aesthetic appreciation. “道法自然”，回归天地自然的审美体验才是深层次的真正的审美。 X O Nature as the essence of beauty. 自然看作美的本质 O Tao that can be described is not universal and eternal Tao.Name that can be named is not universal and eternal Name.If there is no object that can be named, it is the beginning state of universe.Once there is a primitive object that can be identified and named in the universe, it becomes the ancestor of all matter. “道可道、非常道；名可名，非常名。无名天地之始，有名万物之母。” 道 即为人类活动的共同轨迹，延伸到“宇宙运动的一般规律”。 Tao can be understood as the common track of human activities, and is extended to the general law of cosmic motion. 艺术形象必须虚实结合，才能真实的反映有生命的世界。 Name can be understood as the identification mark of specific things, and is extended to special differences in cosmic movement. 名 即为特定事物的识别标记，延伸到“宇宙运动的特殊差异”。 The artistic image must be combined with the virtual and the real in order to truly reflect the living world. 中国传统绘画的最高美学法则 The works must show the noumenon and life of the universe, and contain vitality, vigour and implication. 作品中必须表现宇宙的本体和生命,蕴含生机、气势和意蕴 The highest aesthetic principle of traditional Chinese painting is Lively Spirit 气韵生动 “天下皆知美之为美，斯恶已;皆知善之为善，斯不善已。故有无相生，难易相成，长短相形，高下相倾，音声相和，前后相随。” ”When the people of the Earth all know beauty as beauty,there arises (the recognition of) ugliness.When the people of the Earth all know the good as good,There arises (the recognition of) evil.Therefore:Being and non-being interdepend in growth;Difficult and easy interdepend in completion;Long and short interdepend in contrast;High and low interdepend in position;Tones and voice interdepend in harmony;Front and behind interdepend in company.” Tao Te C