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京剧英文的资料;Part one: Introduction of Beijing Opera
Part two: Roles in Beijing Opera
Part three: The Facial Patterns and Costumes Of Beijing Opera
;Introduction Of Beijing Opera; Beijing Opera;Origin起源;
The artists of Hubei and Anhui troupes often jointly performed on the stage and absorbed repertoires, music, arias and performing techniques of each other and from other operas like Kun Qu, Qin Qiang and Bang Zi, as well as the local dialect and customs of Beijing. Its repertoires mainly depict fairy tales of preceding dynasties and important historical events.湖北、安徽的艺术家们经常联合进行剧团在舞台上和吸收技能、音乐、咏叹调和演唱方法和其他的歌剧彼此喜欢姜昆曲、秦羌砰的一声字,以及当地方言的习俗和北京。主要描述其技能的童话故事以前朝和重要的历史事件。
;It was after 1840 that Peking Opera formally took shape, growing even faster during the reign of the Empress Dowager Cixi (1835-1908), who was an opera aficionado. Classic Peking Opera repertoires and the names of the first-generation masters were on the lips of the people in Beijing, and eventually prevalent around the country.这是1840年后,京剧正式初具规模,增长甚至其统治期间(1835-1908慈禧太后),谁是一个歌剧的舞迷。经典京剧的名字和技能是第一代大师在唇上的人在北京,并最终在全国流行。;Origins;Beijing opera is regarded as the national opera in China and called “daxi”(大戏);Beijing Opera is a comprehensive performing arts. That is, sing (唱), read (念) , do (作), fight (打), and dance (舞).;Roles in Beijing Opera;Four Main Roles; 京剧的行当之一;生Sheng: main male role主要男性角色;laosheng;武生:;老生:;小生:;京剧的行当之二;旦Dan: young and beautiful female年轻、漂亮的女;Laodan;正旦:;花旦:;武旦:; 老 旦:;京剧行当之三;净;Jing;丑;chou;文 丑;武 丑;梅兰芳;荀慧生;MAIN INSTRUMENTS IN BEIJING OPERA;MEILANFANG(梅兰芳);A CLIP OF CLASSICAL BEIJING OPERA “FAREWELL MY CONCUBINE(霸王别姬)”;Facial Patterns;第39页/共49页;signifies honesty,probity(正直),courage and bravery;Black said the types of facial makeup in operas is criticized(刚烈 ) people, integrity(正直 ), bravery and even reckless(鲁莽 ), such as Zhang Fei.;Yellow types of facial makeup in operas that vicious brutality(凶狠残暴 ), such as Dian Wei. ;Blue or green;Quizs;Reflection of the
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