中国戏剧英文介绍.pptxVIP

中国戏剧英文介绍;Introduction of Chinese opera and music;Colourful masks and various roles;Colourful masks and various roles;第5页/共37页;The Development of Chinese Opera;The Development of Chinese Opera;The Development of Chinese Opera;Introduction of operas in different period;Introduction of operas in different period;Introduction of operas in different period;Introduction of operas in different period;Introduction of operas in different period;Introduction of operas in different period;In the period of 1949-1985;During the Cultural Revolution, most opera troupes were disbanded, performers and scriptwriters were persecuted, and all operas were banned except the “eight model operas ”also known as revolutionary opera that had been sanctioned by Jiang Qing and her associates. Western-style plays were condemned as dead drama and poisonous weeds and were not performed. Traditional Beijing opera was considered feudalistic and bourgeois, and was banned. ;In total, eight revolutionary operas were made, and, according to some sources, they were the only forms of artistic expression allowed in China at the time. The operas were made in accordance with Maos provision that art must serve the interests of the workers, peasants, and soldiers and must conform to proletarian ideology.“ The limited number of operas (8) thus led to the coinage of the term Eight Model Operas ; ;第19页/共37页; Model operas were performed on stages, broadcast on the radio, made into films, and sung by millions. They were the only available theatrical entertainment for 800 million people, the entire population of China at the time. The operas are often taken as example of the Party-dominated art of the Cultural Revolution, and have been condemned as an aesthetic（美学）and cultural aberration（畸形）. After the fall of the Gang of Four in 1976, Beijing Opera enjoyed a revival and continued to be a very popular form of entertainment both in theaters and on television. ;Nanyin Music;Nanyin Music was mainly performed using