2020年11月全国翻译专业资格考试一级笔译实务真题(CATTI) .pdfVIP

2020 年11 月全国翻译专业资格（水平）考试英语一级《笔译实务》真题 编辑：李振龙 2020 年11 月CATTI 全国翻译专业资格（水平）考试 英语一级《笔译实务》试题 Section 1: translation Part 1 English-Chinese translation( 英译汉)(40points) Alice Munro, winner of the 2013 Nobel Prize in Literature, once observed: “Thecomplexityof things — the things within things — just seems to be endless. I mean nothing is easy, nothing is simple.” That is also a perfect description of Ms. Munro’squietlyradiant short stories — stories that have established her as one of the foremost practitioners of the form. Set largely in small-town and rural Canada and often focused on the lives of girls and women, her tales have the swoop and density of big, intimate novels, mapping the crevices of characters’hearts with cleareyed Chekhovian empathy and wisdom. Fluent and deceptively artless on the page, these stories are actually amazingly intricate constructions that move back and forth in time, back and forth between reality and memory, opening out, magically, to disclose the long panoramic vistas in these people’slives (thestarts, stops and reve rsals that stand out as hinge moments in their personal histories) and the homely details of their day-to-day routines: the dull coping with “food and mess and houses” that can take up so much of their heroines’ time. Ms. Munro’s stories possess an emotional amplitude and a psychological density that stand in sharp contrast to the minimalistic work of Raymond Carver, and to Donald Barthelme’splayful, postmodernist tales. Her understanding of the music of domestic life, her ability to simultaneously detail her characters’inner landscapes and their place in a meticulously observed community, and her talent for charting “theprogress of love”as it morphs and mutates through time — these gifts have not o