广播电视编导-浅析纪录片《我在故宫修文物》中的叙事策略.docxVIP

PAGE PAGE III 浅析纪录片《我在故宫修文物》中的叙事策略 摘要 新世纪以来，故宫题材纪录片的创作整体呈现上升趋势，作品数量和质量都有了很大提升，它们在叙事上进行的大胆探索，不仅使故宫题材纪录片拥有了不同于其它题材纪录片的独特风貌，很好地补充和丰富了国内纪录片市场的类型与风格，也缓解了国内纪录片在叙事美学上的穷困，引起了观众、业界和学者们的普遍关注。不过，现有关于故宫题材纪录片叙事研究的文论，多局限于单部作品或是某个角度，缺少将多部故宫题材纪录片作为整体研究对象，进行全面系统的整理和分析。《我在故宫修文物》是近年来纪录片领域讨论的热点，它的走红吸引了人们对历史文化、文化传承、传统工艺、匠人精神等的关注。该纪录片分为三集，分别展现对书画、钟表、木器、陶瓷、织绣等文物的修复过程。《我在故宫修文物》能在业界内外均引起极大关注离不开它的叙事方式，该片以“人”为第一角度，将故宫内的各项修复工作转以“日常化”，以最平凡的语言叙述着每一位故宫修复工作者的日常工作状态。观众在观看过程中感受到的不仅是对修复工作者的敬意，更是对文化传承的自豪。 关键词：《我在故宫修文物》；叙事策略；叙事创新  Abstract Since the new century, the imperial palace of the documentary film creation present the rising trend, the work quantity and quality are improved, they are in narrative on the bold exploration, not only make the palace documentaries have different from other themes in the documentarys unique style, a good supplement and enrich the types and styles of domestic documentary market, also ease the domestic documentary on the narrative aesthetics of poor, cause the attention of the audience, industry and scholars. However, the existing literary theories on the narrative study of the Palace Museum documentaries are mostly limited to a single work or a certain Angle, and lack of comprehensive and systematic collation and analysis of multiple Palace Museum documentaries as a whole research object. I built cultural relics in the Palace Museum is a hot topic in the documentary field in recent years. Its popularity has attracted peoples attention to history and culture, cultural inheritance, traditional craftsmanship and craftsmanship spirit. The documentary is divided into three episodes, respectively showing the restoration process of cultural relics such as calligraphy and painting, clocks and watches, woodwork, ceramics, weaving and embroidery. I repair cultural relics in the Palace Museum can cause great attention in the industry and outside without its narrative way, the film takes people as the first Angle, the restoration of the Palace Museum to daily, with the most