琵琶曲《十面埋伏》与《霸王卸甲》音乐表现手法比较.docxVIP

哈尔滨师范大学 学士学位论文 论文题目 琵琶曲《十面埋伏》与《霸王卸甲》音乐表现手法比较学生姓名 姜超 指导教师 盛雪副教授年 级 2014级专 业 音乐学（师范） 2018年1月  琵琶曲《十面埋伏》与《霸王卸甲》音乐表现手法比较 摘要：琵琶曲《楚汉》《十面埋伏》《霸王卸甲》均是以“垓下之战”这一楚汉战争决战场面为题材，以叙事体手法创作的琵琶武曲。鉴于明代的《楚汉》，完整的演绎了战斗的全过程。最大可能还原史书记载，用谱曲和文字叙述作战双方的交战前后整体状态。选题重在对作品的文化、传承、表现内容、技法等方面进行比较研究。《十面埋伏》重写景，突出战斗场面的演绎，表现风格强而有力。《霸王卸甲》重写情，集中描述霸王项羽个人的内心变化，将个人置于战争背景之中，表现风格凄楚哀怨。三首琵琶曲比较，《楚汉》的结构严谨完整，接近事件事实，《十面埋伏》突出“埋伏”、“大战”与“乌江”时间段的描写。《霸王卸甲》集中描述“楚歌”与“别姬”，淡化战斗场面的描写。三曲曲名各异，吻合了创作的立意，同时也表明了三曲一源的一致性。本文主要阐述分析琵琶曲《十面埋伏》与《霸王卸甲》音乐表现手法比较。 关键词：琵琶曲；《十面埋伏》；《霸王卸甲》；音乐表现手法  The pipeggio flying dagger is compared with the music performance of overlord. Abstract: the chu han, the house of flying dagger, the overlord and the overlord are all the themes of war of gaixia, the theme of the battle of chu and han dynasties, and the pipa martial music composed by narration.In view of the Ming dynasty chu han, the complete interpretation of the whole process of fighting.The greatest possibility is to restore the historical records, and to describe the overall state of the battle between the warring parties with the music and the writing.Topic selection focuses on comparative research on the culture, inheritance, presentation content and techniques of the works.House of flying daggers focuses on the scene, highlighting the action of battle scenes, and the style is strong and powerful.The overlord is overwritten, and focuses on the inner changes of the individual, and puts the individual in the background of the war. The expression is sad and sad.Compared with the three pipeggios, the structure of chu han is rigorous and complete, which is close to the fact of the incident. flying daggers highlights the time period of ambush, war and wujiang.The title of the bully focuses on the chu song and miss ji, and plays down the description of the battle scenes.The three songs have different names, which coincide with the original intention of the creation, and also show the consistency of the three songs.This paper mainly elaborates on the comp