论汉斯·季默电影配乐创作特点+——以《功夫熊猫ⅰ、ⅱ》配乐为例.pdfVIP

论文摘要 论文摘要 汉斯•季默是国际知名的好莱坞配乐大师，其影视音乐创作是电影配乐史上的 里程碑。同时，他以多元的音乐语言与合理的音画结合创造了极具个人风格的创 作道路。 本文选取其知名动画配乐 《功夫熊猫》I、II中的典型案例，通过对于其局 部创作技法的和声、结构、配器分析，思考其音乐特点、思维、创作方式的出发 点，以作曲的视角思考其创作的独特性，以及其如何对传统技法进行融合创新， 并将中国元素更好的融入进创作中。 总结而言，汉斯•季默的创作道路除了积极吸收多元的音乐语言及技法，也同 其勤奋的学习过程密不可分，其作品呈现出的多技巧性、多元文化性成为影视音 乐创作史上十分值得关注的一环。 关键词：汉斯•季默；创作分析；《功夫熊猫》；民族元素 i Abstract Abstract Hans Zimmer is an internationally renowned Hollywood soundtrack master, whose film music compositions are milestones in the history of film music composition. At the same time, he has created a very personal creative path with a diversemusicallanguageand areasonablecombination ofsoundand screen. Thispaper selectstypical cases from his famousanimation scoresKungFu Panda I and II, and through the analysis of the harmony, structure and orchestration of his partial compositional techniques, considers the starting point of his musical characteristics, thinking and compositional approach, and considers the uniqueness of his compositions from theperspective of composing, as well as how he integrates and innovates the traditional techniques and better integrates Chinese elements into his compositions. In conclusion, Hans Zimmers creative path is not only the active absorption of diverse musical languages and techniques, but also his diligent study process, and the multi-skilled and multi-cultural nature of his works has become a noteworthy part of thehistory offilmmusiccomposition. Key words:Hans Zimmer; Analysis of composition; Kung Fu Panda; National elements iii 目 录 目 录 论文摘要i Abstract iii 目 录v 引 言1 一、研究的目的和选题缘由1 二、文献综述1