杨柳研究.pdfVIP

摘 要 《杨柳枝》，隋唐近代曲辞，自中唐时期白居易根据“洛下新声”创作《杨柳枝》之 后，此曲风靡中晚唐，广为流传，直至清代而盛行不衰，在乐府文学史上占有重要的地位。 国内外学术界涉及《杨柳枝》的研究虽不少，但其探讨内容主要集中在《杨柳枝》的曲调 起源、实际应用、词体领域 《杨柳枝》和主题嬗变等情况，还没有从乐府学角度来进行系 统而详细的研究。 本文主要从音乐和文学的角度来对于《杨柳枝》进行综合研究，主要分为四个部分来 进行研究。第一部分为曲名辨析，主要辨析了《杨柳枝》的别名及其他容易混淆的曲名情 况；第二部分为曲调研究，主要从音乐类型、所用乐器、曲调风格、歌舞表演及流传等情 况全面介绍了唐代《杨柳枝》在音乐方面的情况；第三部分为曲辞特点，主要从文学方面 对《杨柳枝》作品作了分析，具体包括曲辞主题、体式特点、曲辞风格和文学特点；第四 部分为唐代以后《杨柳枝》的流传情况，按宋、金、元、明、清的朝代顺序介绍了唐代以 后《杨柳枝》的发展和变化情况。 关键词：杨柳枝 器乐歌舞 咏柳 怀古 赠别 WILLOW BRANCHES ABSTRACT “Willow Branches”, the neoteric lyrics of Sui and Tang Dynasty, became popular during the Medium Term and Later Period of Tang Dynasty, since Bai Juyi wrote the words of the “Willow Branches” songs according to the “New Tune in Luoyang” in the Medium Term of Tang Dynasty. Then the song spread far and wide till the Qing Dynasty, which made it occupied important position in the history of Yuefu literature. Although there are some study results concerning the “Willow Branches” in the academic circles home and abroad, the contents mainly discuss about the origin of the tune, performing, the “Willow Branches” with uneven lines, the subjects evolution and so on. There has been no systematized and detailed study on the “Willow Branches” from the angle of Yuefu Theory yet. This paper mainly from the perspective of music and literature to study the “Willow Branches”, is divided into four chapters. The first chapter for the song title analysis, chiefly discriminates which name is another name of the “Willow Branches” and which name is easily mixed up with the name of the song. Chapter II for the tune study, introduces the “Willow Branches” all around in the field of music and is divided into five sections, including the music type, instruments, the tune style, singing and dancing, and spreading condition