论忻东旺油画人物的语境和形式特征.pdfVIP

摘 要 1995年，忻东旺的《诚城》在第三届中国油画年展上获得银奖，并获得了 广泛的关注，21世纪以后他的作品日臻成熟。这种成熟是一种艺术风格由繁琐 到简洁，由杂乱到浑厚统的一种慢慢成熟的艺术渐变。忻东旺在他的现实主义道 路上把自己的艺术牢牢锁定在对村民们生存状态的关注上，从而发觉民族的生命 状态、精神状态与文化品格的攀升。他在油画中的突破性进展，让我们重新看到 了中国油画继续前行的可能和希望。这说明，油画自身的问题并不在画种或材料 本身，而在于驾驭它的人是否对当代问题始终保持着敏锐的感觉和对这感觉的卓 越表达。当新生代们的画面中到处充斥着消极的时候，忻东旺却正在为寻找人生 的意义而进取，为改变自己的命运而抗争，为赢得自己作为一个人的尊严而努力。 忻东旺的作品中充满了对边缘人群的关注，对社会中弱势群体的同情和人文关 怀，却从不曾对现实采取玩世不恭的态度。因此，他的艺术应归属于玩世现实主 义之后的 “新现实主义”。 关键词：艺术渐变；人文关怀；新现实主义 ABSTRACT In 1995,XinDongWangs sincerityCityattheThirdChinaOilPaintingExhibition atthe SilverAward, andreceived wide attention,the 21st centuryhiswork matured. This is amature art style from the complicatedto the simple,vigorous system from disorder to a mature art slowlytapered. Xin Dong Wang realism in his own artistic path firmly locked in onthe concerns ofvillagers living onthe stateto find lives of thenation state,mental stateandthe culturalcharacter oftherose. Hisbreakthrough intheoilpainting,letusmoveonagaintoseethepossibilityofChinesepaintingand hope.Thisshowsthatthepaintingitselfdoesnotdrawthekindsofissuesormaterial itself,but rather whether the right to control its issue has always maintained a keen contemporaryfeelandexpressthisfeelingofexcellence.Whenthenewgenerationof their screentime isfullofnegative,Xin DongWang isthemeaning oflifeisto find the spirit,to changetheir owndestinyandfighttowintheir owndignityasahuman effort. Xin Dong Wangs work is full of people on the edge of the concerns of vulnerable groups in society, compassion and human care, have never taken on the real cynicism.Therefore,his art shouldbe classified afterthe Cynical Realism new realism. Key words: artgradient；humanecare；TheNewRealism 目 录 序 章 ························································1 第一章 忻东旺简介 ·············································3 第一节 忻东旺的个人经历 ····································3 第二节 忻东旺的代表作品 ···················