刘既漂与中国近代建筑的本土化转型研究.pdfVIP

内容摘要 中国自古以来，建筑师地位低下，只是被认为是工匠艺人，加上他们所受文 化教育较低，使得中国建筑艺术成就较少有记录保存，更别说研究成果的记载。 清末民初，开埠后的沿海城市开始接触西洋的建筑和职业建筑师。从一开始对西 方建筑文化的抵触到后来的追逐和热衷，中国本土建筑的发展一直是被忽视的问 题。本土建筑如何从传统转型到近代，如何改革以适应时代的需求，从来没有被 思考过。大多数的建筑风格，一味崇尚西方的文化，或为了民族自尊抄袭传统。 刘既漂，不仅在理论上，而且在实践上都有对中国本土新建筑试验的尝试，对中 国建筑走向本土化的转型起到了深远的作用。本文通过还原刘既漂建筑思想的本 意，探讨其对中国本土建筑转型所作的贡献，以及对于当下中国建筑文化意义的 启示。 关键词：建筑、中国、本土化、文化 I ABSTRACT Since ancient times, Chinese architects have been positioned in low social status, just been token as the Carpenter artists work for the government or personal. Moreover, suffered together with lower education, making Chinese architectural artistic achievements have less been recorded, let alone been documented in research results. In the late Qing Dynasty, coastal cities came into contact with western architecture and professional architects. And their attitude changed from conflict to acceptance. But they have ignored an important problem which is how to reform Chinese local architectural to meet the needs of modern times. Most of them ether blindly advocated Western architectural styles, or doggedly stuck to traditional architectural style, and less of them tried to do some critical improvements. Liu Ji-piao was just one of the people who made tentative attempts of transiting Chinese local modern architecture not only in theory but also in practice. Based on this background, this paper systematically teased out Liu Ji-piao ’s architectural ideas and commented his architectural style though the method of scene investigation to provide some inspirations for Chinese contemporary architectural ideas and styles. Key Words: Architecture; China; Localization;