21世纪台湾院线体育运动纪录片娱乐化倾向研究.pdfVIP

摘 要 回顾台湾纪录片的历史，从官方宣传工具到社会运动的利器，从记录人生百 态到成为票房冠军，几十年间随着台湾社会变动而起伏不定的台湾纪录片在新世 纪看似迎来了属于它的 “最好时光”。2000年后，台湾纪录片迅猛发展，大量的 纪录片涌入院线，成功占领商业放映市场，实现从边缘到主流华丽的 “逆袭”。 但是在这成功的背后也存在着许多问题。投资小、收益高以及被看好的市场前景 使得台湾纪录片越发的具有了商品化的倾向，主动地迎合观众和主流审美的口 味，趋向娱乐化，回避社会现实，迷恋于营造一种温情感动的情感消费空间。 针对近年台湾院线商业纪录片的成就和问题，本文以新世纪台湾院线体育运 动纪录片为研究对象，通过对台湾院线商业纪录片这一颇具代表性类型的深入分 析，试图具体呈现台湾院线商业纪录片所存在的问题，并考究其根源所在。本文 主体共分为三个部分，第一部分从叙事学角度出发，分析台湾院线体育运动纪 片故事化的叙事手法；第二部分通过对此类纪录片视听语言的相关分析，呈现其 娱乐化倾向；第三部分着重于对此类纪录片美学风貌的深入研究，并结合有关于 其外在生产关系和内在社会历史积淀的考察。 关键词 ：院线体育运动纪录片，故事化叙事，娱乐化，去政治化 I Abstract ReviewsthehistoryofTaiwandocumentary,decadesalongwiththe socialchangestheTaiwandocumentaryseeminglyushereditsbesttime in the new century——it is from official propaganda tool to social movementandfromtherecordoflifeistobeboxofficechampion.After 2000, with the rapid development of Taiwans documentary, lots of documentary swarm into theaters, and succeed in occupying the commercial exhibition market presenting its gorgeous victory. But behind this success also exists many problems. Small investment, high yield and promising market prospect make Taiwans documentary increasinglythetendencyofthecommercialization,catertothe audience and the mainstream aesthetic taste, trend to entertainment, avoid social reality,crushonbuildafeelingofwarmthmovedconsumptionspaceetc. Based on Taiwan theaters of the achievements and problems of commercial documentary recently, the paper takes the new century Taiwan sports documentary as the research object, through in-depth analysisabouttheTaiwancommercialdocumentary,tryingtopresentthe problems of Taiwan business documentary specifically and find out its root cause. This paper includes three parts——the first part from the perspective of narrative, analyzing the story narrative of Taiwan sports documentary;the secondpartthrough analysisthe audio-visuallanguage