由《洛神赋图》看中国人物画长卷形式及特征.pdfVIP

摘要 摘 要 作为中国传统绘画幅式之一的长卷，经过漫长的历史时期逐渐发展成为具有 独特形式美感的艺术范式，被人们沿用至今，它包含了太多的历史和人文因素。 魏晋时期的著名长卷绘画《洛神赋图》，前承秦汉，后启隋唐，是一幅具有“审 美自觉”意义的画作，为后世文人士大夫追求自我精神超脱的理念开启了先河。 本文通过对《洛神赋图》长卷形式的研究，发现绘画作为造型艺术不仅可以 表现空间，而且可以通过“散点透视”的观察方式在其中融入时间因素。中国早 期山水绘画还没有成为独立的画科，多作为人物画的背景出现，《洛神赋图》中 的山水，虽然笔法稚拙，却为全画起到了时空转换的重大作用，使故事内容独立 成段，又使整幅画浑然一体，体现了中国绘画独特的时空观。 艺术的形式是多种多样的，但本质却是相通的，《洛神赋图》是诗与画的完 美结合，使各种艺术之间相互汲取营养成为可能。电影艺术在许多语境上与长卷 绘画有着惊人的相似之处，中国古代的长卷人物绘画在时间与空间的交融、诗词 与绘画的结合、观赏者与作品的互动等因素都使得其成为画卷上的 “电影”。也 许，艺术的发展也可以在相互借鉴中异彩纷呈。 关键词：中国绘画，长卷人物画，洛神赋图，时空观，诗画关系，审美自觉 I Abstract Abstract As a traditional Chinese-style painting of the scroll rate, after a long period of history has gradually developed into a unique form of aesthetic paradigm of art, had been in use ever since, it contains too many historical and cultural factors. Wei and Jin Dynasties famous scroll painting, Lo River map, the former for the Qin and Han Dynasties, Sui and Tang dynasties after Kai, are having an aesthetic consciousness the meaning of the paintings for future generations the spirit of the literati literati detached pursuit of self-concept of open ground. In this paper, the Lo River map scroll form of research and found that not only can the plastic arts of painting as a performance space, but also through Scatter Perspective at one of the observation of the way into the time factor. Early Chinese landscape painting has not yet become an independent draw Branch, many appear as a background figure, Lo River map of the landscape, although the technique of writing Immature plain, but for the whole draw has played