「相互作用の音楽的基礎.pdfVIP

第53 回日本社会学史学会大会（佛教大学 2013 年6 月29 日） 「相互作用の音楽的基礎 ―アルフレート・シュッツの基本動機の確認とシステム論への拡張」 森 元孝（早稲田大学・文化構想学部） 0 前提 0.1 Mori, M. (2012). Person als Medium –Eine pragmatisch-phänomenologische Alternative zur Systemtheorie. In J. Renn, G. Sebald J. Weyand (Eds.), Lebenswelt und Lebensform –Zum Verhältnis von Phänomenologie und Pragmatismus Göttingen: Velbrück Wissenschaft , 191-205. 0.2 Mori, M. (2013). Musical Foundation of Interaction -Music as intermediary medium. In M. Barber (Ed.), The Interrelation of Phenomenology, Social Sciences, and the Arts. New York: Springer. (forthcoming) 0.3 森 元孝「媒体と状況」第29 回日本現象学・社会科学会大会報告(神戸大学 2012 年12 月2 日) 0.4 媒体の基本構成 （●基礎媒体「光」「音」）、●状況媒体「身体」「言語」「人」、●象徴媒体「貨 幣」「権力」「法」「愛」「真理」）、○通信媒体） 1 主題 1.1 Schutz’s basic conception of interaction as making music together in contrast with Halbwachs’ professional musician’s communication.( Halbwachs,1980) 1.2 My aim is to develop this result up to a more general level of social system theory. Following the social system theoretical distinction of form and medium by F. Heider and N. Luhmann, we are asking how we could grasp music as form. 1.3 In his famous essay “Making Music Together” he focuses on the situation where we are tuned-in to each other through music, while he is criticizing Maurice Halbwachs’ analysis on musicians’ communication. In this essay Schutz sums up his objections to Halbwachs’ theory: (1) He identifies the musical thought and its communication. (2) He identifies musical communication and musical language, which to him is the system of musical