论中国意象油画中“虚”与“空”.pdf

论中国意象油画中的“虚”与“空” 论 中 国 意 象 油 画 中 的 “ 虚 ” 与 “ 空 ” 摘 要 如今意象油画已经成为一个不争的命题并成为中国油画中的生力军。而中 国意象油画中最根本的核心所在便是隐含在油画这一西方材料之下的中国文化 精神和美学观念，尤其是“天人合一”的宇宙观。其中对“虚”与“空”的追 求最能体现这种美学特征。本文从中国传统美学出发，比较西方美学特征研究 意象油画中的“虚”与“空”的理论根源，阐明其意味特征及其表现形式，表 明其在意象油画中的审美价值作用。并说明中国意象油画中的“虚”与“空” 是中国文化精神、民族审美心理与西方油画材料的融合，更是对中国传统文化 的继承与发展。作者试着通过中国意象油画对中国传统美学思想的继承这根线 来探讨其中的“虚”与“空”的相关内容。文中以大量名家相关的作品为例来 分析中国意象油画中的“虚”与“空”的意味特征及其艺术表现手法，探讨中 国意象油画审美特征核心内容。 关健词：中国意象油画，虚与空，文化精神， 天人合一 I 论中国意象油画中的“虚”与“空” THE VOILD AND VACANCY IN CHINA IMAGE OIL-PAINTING abstract At present, China image oil-painting has became one title without any disputation, and has become energetic force in china oil-painting. And it’s center conception is China culture spirit especially the “NATURE UNITY” cosmology behind the material brought from west. And the void in it is one of the best way to interprets it’s aesthetic character. In this paper, the author starting from the traditional Chinese aesthetics, comparing with aesthetic characteristics of western, studying the theory source of “void” and “vacancy” in oil painting imagery, clarifying their character and expressions methods and expounding the role of them and their aesthetic value. Also in this thesis, it is clearly declared that the “void” and “vacancy” is the amalgamation and aesthetic integration of the Chinese culture spirit and the Western oil painting materials, but also is the inheritance and development from traditional Chinese culture. The author tried to explore the “void” and “vacancy” correlative matter through of China Image O