论海岩创作消费主义倾向及特征-毕业论文.docVIP

摘  要  在这个商品价值为主导的消费主义大时代里，文学欣赏也具有了消费性，这是 市场化与都市化共同滋生的一种泛文化形态，是社会转型的产物。作为消费者的读 者、大众成为艺术市场中的主体，作为生产者的文学艺术家们要面向大众市场、根 据大众的审美趣味进行创作，这意味着读者的阅读时尚将直接引领文学消费。 受消费主义的影响，在中国大陆就先后出现了“金庸热”、 琼瑶热”、 海岩热”。 一般研究者们并未能对新时期出现的商品化的文学作品予以充分的关注，而是继续 保持了重视主旋律作品与艺术前沿探索的传统，对大众文学阅读需求是忽略的。对 于海岩这样一位有着强大文学市场的作家的忽略，就是一个明显的例证。但同时， 我们也应该看到研究界的努力，当前仅有的海岩研究成果，大多都是纯粹的文本论， 并未能结合“海岩热”所基于的大众文化市场展开讨论，也没能给海岩一个准确的 定位。文学的标准可以不止一个，如果我们从大众文化市场的角度去分析他的作品， 把其作品放到当代广大读者的阅读需求中去考察，也许就不难发现他为什么会成为 妇孺皆知的作家。本文就以海岩的创作为例，从其笔下的消费主义盛宴、适应市场 的叙事方式和独辟蹊径的悲剧性审美选择等方面来分析其创作的消费主义倾向及特 征。 文章创新之处为以消费主义为切入点来研究消费主义文化与海岩小说的相关 性，探讨其小说作为文学作品符合大众需求的方方面面，从而希望通过本文的研究 能够对面向市场的文学写作提供一些可借鉴之处。  关键词：海岩  消费主义文化  小说  I Abstract In the consumption age in which the commodity value plays a great role, the cultural consumption becomes one of the characteristics of the literature appreciation. It is a pan-cultural patterns and a product of social transformation which common market and urbanization breed. The readers as consumers, become major groups in the artist market, as producers of artists to mass-market, the artists as producers must face to the mass-market, which requires the article in accordance with the aesthetic interest, the consumption of literature will be leaded directly by the readers. In the mainland of Chinese, we have experienced the “trend of Jin Yong”, the “trend of Chiong Yao”and the “trend of Hai Yan”. This thesis tries to talk about the tendencies and characteristics of Hai Yan’s novels. In the research results of Hai Yan at present, most of them are simply the research of the pure text, and failure to discuss them with the “trend of Hai Yan” which based on the mass cultural market, they also can’t give a precise location to Hai Yan’s nolves. Literature may have more than one standard, if we analyze his nolves in the perspective of popular culture market, we can easily find out the reasons which he is so popular. Therefore, the innovation of this paper is take the consumerism as the entry point to study the relationship of