浅析安东·维瓦尔第《e小调大管协奏曲》RV484论文.pdfVIP

中文摘要 本文选择A.维瓦尔第《e 小调大管协奏曲》为研究对象，对作品的创作背景、音乐风格、作品结 构、曲式分析等方面进行初步分析；在演奏速度、力度、技巧运用、装饰音及情感表达等方面进行 研究，结合自己的学习体会，在演奏方法和表演手法上阐明自己的观点和见解。 关键词：维瓦尔第；协奏曲；演奏分析 I English Abstract This paper chooses” e minor Bassoon Concerto” RV484 composed by Antonio Vivaldi as the object of study. The paper have a preliminary analysis of the creation background, music style, structure of the work, musical form. Also we talk about the playing speed, strength, skill, ornamentation, and emotional expression of this concerto. I combined with my own learning experience, playing method and performance techniques to clarify my views and opinions. Key words: Vivaldi Concerto; performance analysis II 目录 中文摘要„„„„„„„„„„„„„„„„„„„„„„„ I 英文摘要„„„„„„„„„„„„„„„„„„„„„„„ II 绪言„„„„„„„„„„„„„„„„„„„„„„„„„ 1 第一章 A．维瓦尔第及巴洛克时期协奏曲的创作简述 „„„ 2 第一节 维瓦尔第的生平简介及音乐创作 „„„„„„„„ 2 第二节 维瓦尔第协奏曲的创作风格以及巴松协奏曲的创作 „„„„„„„„„„„„„„„„„„„„„„ 2 第二章 维瓦尔第《e 小调大管协奏曲》RV484 乐谱分析 „„„ 4 第三章 维瓦尔第《e 小调巴松协奏曲》之演奏体会 „„„„„ 11 第一节 演奏速度 „„„„„„„„„„„„„„„„„ 11 第二节 演奏技巧的运用 „„„„„„„„„„„„„„„ 11 第三节 力度的设计 „„„„„„„„„„„„„„„„„ 13 第四节 装饰音及装饰性旋律的运用 „„„„„„„„„„ 14 第五节 情感的表达 „„„„„„„„„„„„„„„„„ 17 结论 „„„„„„„„„„„„„„„„„„„„„„„„„ 18 参考文献 „„„„„„„„„„„„„„„„„„„„„„„ 19 后记 „„„„„„„„„„„„„„„„„„„„„„„„„ 20 III 绪言 巴洛克时期意大利著名作曲家A.维瓦尔第一生共创作了大管协奏曲39 首，他是最早为大管创作 协奏曲的作曲家，他为这件乐器的发展及演奏技巧的发掘做出了极为重要的贡献。 维瓦尔第的大管协奏曲对于任何一位大管演奏家以及学习大管演奏的学生来说都是极为重要的 作品，其曲调优美、结构清新、节奏强劲，在风格的把握上对演奏者是一个重要的挑战。《e 小调大 管协奏曲》RV484 是经常被演奏的作品，其中包含了丰富的大管演奏技巧，通过对这部作品的学习 和研究可以让我们初步的了解巴洛克时期协奏曲的风格特点及演奏重点。 与这部作品广为演奏相对的，国内对于这部作品的理论研究（主要是巴洛克时期的风格研究）