界画和城市山水比较的研究.pdfVIP

中国美术学院 徐晨 摘要 本论文主要从绘画实践的角度去研究传统界画与城市山水的关 联与表现技法。城市山水画的出现使得山水画产生了重要的变化。城 市山水画的出现成为传统山水画体系中更具时代性和必然性，更加丰 富了中国山水绘画的形式及语言体系。本文共分四章系统探讨了城市 市山水画:第一章，是谈界画与城市山水的起源和发展。这里主要阐 述了界画的滥觞以及城市山水的初步形成。第二章，是谈界画对城市 山水的意义，这里主要分析了界画为城市山水提供了丰厚的美学思想 基础和界画为城市山水提供了多元的笔墨形式。第三章，主要是谈城 市山水当下的意义，这里主要分析了城市山水的审美意义与城市山水 对笔墨的继承。第四章，主要谈城市山水的发展空间，这里主要探讨 了建立城市山水的新课题、建立城市山水的新符号与建立城市山水的 新笔墨。当然，要真正高质量的建立起都市山水画这一画科，要实现 一种文化的创造，这不是一件简单事。本文努力突破既有研究成果的 局限，客观分析我国传统界画的美学思想及其对都市山水的影响，以 美术史和现实需要为依据，借鉴传统界画的表现形式，提出都市山水 的新思路，并提出应当深入挖掘传统绘画艺术的深刻内涵并使之服务 于城市山水的建议。 关键词:城市山水画，传统山水画，笔墨，符号。 2 中国美术学院 徐晨 Abstract This paper mainly from the practice of painting perspective to study traditional Jiehua and city landscape associated with the technique of expression. City landscape painting has produced important changes in landscape painting. City landscape painting become the era and the inevitability of more traditional landscape painting system, enrich the forms and the language system of Chinese landscape painting. This paper focuses on the city landscape painting is divided into four chapters: the first chapter is about the system, academic origin and development and city landscape painting. It mainly discusses the origin and draw circles formed city landscape. The second chapter is about the world, painting significance to the city landscape, here mainly analyzes provides rich aesthetic ideology and draw circles draw circles for city landscape provides multiple ink form for city landscape. The third chapter is mainly about the city landscape, the present meaning, here mainly analyses the city landscape aesthetic significance and city landscape succession of ink. The fourth chapter, mainly on the development space of city landscape, we mainly discuss the new text symbols, establish new topic new city landscape building city landscape