从格式塔意象再造看汉语散文翻译地审美再现—以张培基英译散文为例.pdf

Abstract Prose, enjoying the reputation of “aesthetic writings”, is regarded as “art of language” and “art of emotion”，which is refined and concise in language, free and flexible in style and affluent and diverse in artistic image. Every piece of prose as a holistic work of art is the high integration of words, images, meanings and structures. It is also a complex imagery system. The thesis is intended to make a tentative study on aesthetic representation of Chinese prose translation from the perspective of image-G actualization proposed by Prof. Jiang Qiuxia through analyzing the examples from versions in Selective Modern Chinese Prose Writings rendered into English by Zhang Peiji. The aesthetic representation in translation is to embody the aesthetic experience processed by the aesthetic subject from the S-text in the T-text. Image-G is formulated mentally when the translator grasps the S-text holistically and achieves the unified aesthetic experience of certain artistic image. The translator has an understanding of the S-text in the operation of both linguistic cognition and aesthetic experience, formulates the image-G in his mind, and then actualizes the image-G linguistically in the T-text. Thus, the linguistic meaning and aesthetic significance of the S-text can be appropriately represented. Actualizing the image-G means the effective transference of unified aesthetic experience. From the perspective of image-G actualization and by means of examples, the thesis first explores the essential meaning of aesthetic representation of Chinese prose translation and its aesthetic standard. Besides, it analyzes the interaction between the whole and the parts in aesthetic representatio