枣梆唱腔的源及流.pdfVIP

摘要 枣梆是1880 年左右上党梆子从山西传入鲁西南后与当地方言结合而形成的一个地方剧 种，从20 世纪的40 年代到90 年代是其兴盛时期。在枣梆产生、发展过程中，不断借鉴吸 收兄弟剧种的精华，逐渐改革完善自己，创作了一些和老唱腔有所不同的新唱腔。本文对枣 梆的起源和形成做了较为详实的研究，同时对枣梆新老唱腔进行认真比较和研究，这对于保 护我国传统的地方戏曲艺术有很重要的社会意义。同时，它对于繁荣不景气的枣梆艺术也具 有重要的现实意义。 全文分成六章对《枣梆唱腔的源与流》进行论述。第一章是对枣梆的历史渊源进行简单 梳理，介绍了枣梆的唱法、板式、乐队编制、伴奏音乐和一些代表性艺术家及经典唱段。在 第二章中，分析了枣梆唱腔的板式，并找出原板和其它三个基本板式与它们的辅助板式之间 的派生关系。在第三章中，分析了唱词、唱腔结构特征。在第四章中，分析了枣梆和上党梆 子的音乐形态的相似之处，从音阶、旋律特点、板式、乐队与伴奏、唱腔特点、剧本剧目等 方面进行比较，进而找出枣梆四个基本板式的源流。在第五章中，通过对唱词、唱法、唱腔 的比较，找出新唱腔的变化。在第六章中，通过分析枣梆的现状及唱腔的现状，进而总结出 在唱腔的改革与发展中存在一些问题，并对枣梆唱腔的发展提出一些意见和建议。 关键词： 枣梆 上党梆子 源流 新老唱腔 I Abstract Zaobang is a local play and is the combination of the music of Shangdang Bangzi, local dialect, and folk music, when Shangdang Bangzi spreads to the southwest of Shandong from Shanxi. Its prosperous period is from the 1940s to 1990s. In the process of its betterment, Zaobang develops its vocal music through studying from other operas. This thesis tries to generalize and study the innovation of Zaobang through analyzing its historical origin and development from the angle of the musicology, and compare the old sing tune with the news. It is of great importance to protect our traditional art of local opera. At the same time, it plays an important part in increase the art of Zaobang which is in the danger of withering away. The thesis consists of six chapters altogether. Through clearing up, analyzing and summing up the historical origins of Zaobang, Chapter One introduce the historical origin and sects of Zaobang, sing tune, mode, orchestral、accompaniment, outstanding performing artists and operas. In Chapter two to five, through the comparative analysis of the melody from structure, libretto, mode, vocal music, the art of singing in two dramas, it can be conclude