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Trends in Yi Literary Criticism in the New Age
Trends in Yi Literary Criticism in the New Age
Abstract:
中国论文网 /4/view-7199086.htm
Since the New Age,Yi critics who engaged in literary studies and criticism began to consciously concern themselves with,and participate in study Yi literature while learning Western literary theories.The characteristic of Yi literary criticism is the participation of Yi scholars,poets and writers.Combining their personal experiences and feelings about literary creation,and based on contemporary writers and works,they put forward some of their own views on the artistic features,thought and content of the Yi literature.These have influenced the field of ethnic minority literary criticism.
I.The Combination of Writing and Criticism
Starting from the 1980s,the Yi critics who are active in Yi literary criticism were mostly born in the 1960s,and most of them received a university education.They are not only poets,and writers,but also are critics.They run through the emotions of lifes experiences and thoughts about the world.In literary works,they freely use poetic language to construct their own literary field.In literary criticism,they use their unique insight to evaluate rationally the literary works of others.They,with this double identity,use their pen emotionally or rationally to write down their feelings and understanding.
Through the aid of the magic of language,these Yi literary critics write texts from their feelings,and express their feelings through writing; they find their feelings from reading,and provide criticism from these feelings.Their double role in literary creation and criticism is due to their special feelings about literature,their pursuit of literature and the enlightenment which derives from literary text.They constructed not only their own literary mansion,but also constructed other peoples literary field―while realizing their own self-value,they also promoted the achievements of others.
II.The Co-existence of Ethnic Literature and Local Literature
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