论《聊斋志异》中的侠义形象分析.docVIP

目 录 摘要 Abstract 前言·············································3 一、侠的来源······································3 二、侠女复仇型····································4 三、仙人行侠型····································6 四、以性行侠型····································8 五、男侠形像······································9 注释··············································11 参考文献··········································12 摘 要 《聊斋志异》是中国古代短篇小说发展的最高峰，在以志怪传奇为特征的文言小说中，最富有创造性，文学成就最高，正是凭借这部作品，蒲松龄被国际上称为中国短篇小说之王。《聊斋志异》是一部包罗万象的书，涉及到社会的各个领域，基本上反映了中国清朝初期的社会状况。《聊斋志异》中写了不少侠士，其中的侠义形象的塑造既借鉴了中国传统的塑造方法，又有所突破，有所创新。他和以往描写的侠客不同的是女性不再是以武行侠，而又加入了以性行侠这一特异性，同时男性行侠又加入了仙人行侠。这些创新对下侠义小说来说是一个伟大的突破，为侠义小说提供了新的思路 关键词 ：女侠；以性行侠；特异性 Abstract Strange is the development of ancient Chinese novel peak Zhiguai legendary in classical Chinese novels featuring the most creative, the highest literary achievement, it is by virtue of the novel, Pu was internationally known as a short story of the Chinese Wang. Ghost Story is a book all-inclusive, involving all areas of society, basically reflects the social conditions of the early Qing Dynasty. Liaozhai Knight write a lot, of which the next image knight both from the traditional method of shape, and the breakthrough innovation. Knight before it and the difference is no longer a single woman to Violent-crimeAnd joined the Xia to the specific sexual activity, while men also joined the line-Xia Xia immortal line. This is the traditional martial arts novels is a great breakthrough for the development of chivalrous novels provides a new way of thinking. Key words： Woman Rise in sexual activity Specificity 《聊斋志异》中的侠义形象分析 前言 《聊斋志异》成书于清代初年，正是白话文小说发展兴盛，文言小说衰败的时期。然而《聊斋志异》却用文言文写成，被后世称为“文言小说之集大成者”。著名的文学家鲁迅先生曾评其为“以承晋唐小说” “用传奇法而以志怪”。〔1〕《聊斋志异》确实是一部划时代的伟大的作品，它题材广泛，堪称一部生活百科全书，人情，民俗，科场内外，吏治，商业活动，民间工艺各个领域无不有所涉及。《聊斋》和古代的传奇，志怪小说相比较，在题材，语言，人物形象，艺术表现手法等方面都表现出特异性。尤其是作品中的侠义形象的塑造，既继承了唐传奇，明清小说描写侠客的长处，又表现出其自身的特点，读来让人觉得耳目一新。在分析《聊斋》中的侠义形象之前，首先要弄明白“侠义”的来源及范围，这样才能更好地理解《聊