我在书画装裱修复中墨色保鲜实践的体会.doc

摘 要 当代的书画装裱大师在研究古代装裱工艺的基础上结合长期的实践经验，对装裱工艺系统而深入的研究和探索Abstract Contemporary master of painting and calligraphy framed framed in ancient research process combined with long-term practical experience, on the basis of advancing with The Times, about mounting process system and in-depth research and exploring. Rice paper cultural development extends to the contact between the mounting paintings; And relates to the use of color in the calligraphy and painting mounting; Calligraphy and painting in the repair, ink and color, frame preservation and the fresh whole painting, these technologies are need framed personnel good learning and mastering paintings interpretation can be transformed, antique painting can be better to show. Therefore, mounting paintings and rice paper, ink will be linked together, is closely linked. Nowadays the protection and restoration of cultural relics, paintings and calligraphies of our countrys special and professional strong, western culture into the east, adventure and the combination of painting and calligraphy calligraphy preliminary Jane mark of modern science, is not when processing and cause irreversible damage and destruction. The calligraphy and painting in the future to protect more difficult, higher request of mounting paintings and repair technology. 引 言 作为书画装裱与修复中最常使用的基本材料之一的宣纸在我国流传了很久，书画装裱与宣纸的关系在几千年的历史长河中从起源、萌芽、初步定型、高峰时期到未来发展有着循序渐进的成熟过程。这种发展变化除了与造纸术的发明创造，以及中国传统书画艺术的发展有着紧密的联系以外，同时也深受当时的历史背景和社会环境所影响。湖南长沙马王堆汉墓出土的帛画，便可以证实在秦汉时期就已有书画装裱的技艺存在。随后两晋南北朝时期，纸被大力推广、品种增多，使装裱技术选材范围扩大，造纸技艺提高，装裱工艺出现了新工序。隋唐、五代十国时古宣纸出现，书画装裱技术逐渐形成三大基本形制(挂轴、卷轴、册页)。到了宋元时期，随着造纸术的发展应用，纸张性能提高，推动了裱褙技术的完善。明清时期，宣纸创立，随着人们对装裱技术要求的提高，装裱技术进一步完善，也促进了宣纸的开发利用。到近现代，装裱手艺越来越走向机械化，我们越来越多地担负起了书画历史艺术等信息的记录责任。装裱技艺在蓬勃发展，研究书画墨色并使墨色保鲜以及书画装裱色彩搭配便成了我们装裱书画的必须掌握的技能。只有做好这些，才可以更好的使从古代传承下来的佳品真迹、旷世珍宝得以更好的保护与修复。 第一章 书画装裱与宣纸的关系 第一节 宣纸与中国书画装裱的发展 一、宣纸文化的发展 宣纸的发明是中华民族在世界文明史上的一座里程碑，宣纸具有“韧而能润、光而不滑、洁白稠密、纹理纯净、搓折无损、润”等特点，。宣纸除了作画外，还是保存高级档案的最佳用纸我国至今的大量古籍珍本、名家书画墨迹，大都用宣纸保存。由于宣纸有经久不脆易于保存不会褪色等点，”不可用，因为失