观吴碧霞兰州独唱音乐会后的思考.docVIP

封面 目录 中文摘要····························································1 Abstract····························································2 引言································································3 对吴碧霞本人的介绍 ········································3 本文的研究目的和意义········································3 对吴碧霞演唱的作品加以鉴赏分析同时从多方面感受其人格魅力··4 对音乐会演唱作品的鉴赏分析 1、《雪花》 2、《红楼梦组曲（枉凝眉 叹香菱 分骨肉） 歌美人更美，音乐会现场的感触 吴碧霞在音乐会上如何对待观众、主持人、交响乐团···········5 “乐由中出”吴碧霞歌声美心灵更美·························5 阐述吴碧霞对各种音乐风格的精准把握、形成条件················6 一、对新疆民歌、戏曲、咏叹调各种音乐风格的驾驭能力··············7 《吐鲁番的葡萄熟了》的精彩演绎·····························7 《咏梅》的完美体现·········································8 《纸醉金迷》的惊艳结尾·····································8 二、多种音乐风格的形成条件·······································9 老师的良苦用心············································10 自身的坚持不懈············································11 探索吴碧霞现象对当代民族声乐的启示························12 当代民族声乐发展的显现及成因·······························13 现象 成因 构建科学的民族声乐理念·····································14 借鉴西方的美声发声技巧 以开放的声乐美学为导向 结语·································································15 摘要Abstract WuBixia lyric coloratur soprano ,with her melodious crisp,delicate melody of singing skills rish immersive Smartstageperformance by the auther, in order to analyze the concertconcert works analyzing their accurate understanding of a variety of musical styles. Implications for this lead vocal development of China’s national thinking and gives. Keywords: WuBixia analysis musical stvle inspiration 全文大致分为四章： 序言 介绍吴碧霞，论述本课题研究的目的和意义。 第一章：表述对音乐会现场的感触，并对演唱作品加以鉴赏分析。 第二章：阐述吴碧霞对多种音乐风格的精准把握及形成的条件 第三章：探索中西合璧的可行性及对中国声乐未来发展趋势的思考 第一章 序言 我国声乐艺术发展至今,涌现出了一批批非常优秀的歌唱艺术家其中,著名抒情花腔女高音歌唱家吴碧霞,以其对中国民族风格歌曲、西方古典艺术歌曲以及外国歌剧咏叹调的驾驭能力,赢得了国内外声乐界的广泛关注为了进一步探索我国声乐艺术发展脉络,比较中西方唱法的特征,继承我国传统声乐理论研究及歌唱方法,借鉴国外一些先进的发声技术,进一步推动我国声乐流派的形成, 对吴