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Expressionism inGermany
Wassily Kandinsky (Russian, active in Munich and Paris, 1866-1944) The artist is not born to a life of pleasure. He must not live idle; he has a hard work to perform, and one which often proves a cross to be borne. He must realize that his every deed, feeling, and thought are raw but sure material from which his work is to arise, that he is free in art but not in life....The artist is not only a king...because he has great power, but also because he has great duties.Wassily Kandinsky, ConclusionConcerning the Spiritual in Art, 1912
Kandinsky developed his theory and practice of abstract expressionist art between 1908 - 1911: three years.
Wassily Kandinsky, The Blue Rider, oil on cardboard, 1903Claude Monet, Haystack (Winter), 1891The Blue Rider as symbol of the artist will recur and evolve according to the principles Kandinsky defines in his written texts, Concerning the Spiritual in Art and The Blue Rider Almanac.
(left) Wassily Kandinsky, The Blue Mountain, 1908, o/c (right) Henri Matisse, The Joy of Life, 1906Kandinsy’s Fauvist (style) symbolist landscapes
(right) Annie Besant and Charles Leadbeater (Theosophist), Thought-Form: Music of Wagner 1905, (left) Kandinsky, Mountain, 1908Towards abstract painting
Wassily Kandinsky, Study for Composition 2, 1909-10, o/c, 38 x 51” Guggenheim, NYC. Based on Bible stories of the Deluge (Genesis) and Apocalypse (Revelations)
Vassily Kandinsky, Improvisation 28 (second version), 1912, oil on canvas, The new physics of early 20th century offered a new perception of matter, energy, and time that contributed to theories of abstraction over the mimetic representation of the world.
Paula Modersohn-Becker (German, 1876-1907: 31 years)from Post-Impressionism to Proto-Expressionism
Self Portrait, 1907, 62 × 31 cm
(left) Otto Modersohn, Moor Grasses, 1895(right) Paula Modersohn-Becker, Red House, 1900Worpswede, a rural German village and artist colony
Paula Modersohn-Becker (left)
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