Program Music Pictures at an Exhibition Mussorgsky节目音乐图画展览会等.pptVIP

Program Music Pictures at an Exhibition Mussorgsky节目音乐图画展览会等.ppt

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Program Music Pictures at an Exhibition Mussorgsky节目音乐图画展览会等

Program Music: “Pictures at an Exhibition” Mussorgsky The Burning River Brass Arr. Michael Allen Program Music Program Music is intended to musically represent or accompany an extra musical theme such as a painting, geographical feature, emotion etc. The term is almost exclusively applied to works from the Romantic Period (1825-1910) Examples of Program Music Berlioz – Symphonie Fanstastique Saint Sa?ns – Carnival of the Animals Smetana – Die Moldau Stravinsky – The Rite of Spring About the Composer Mussorgsky wrote a colossal opera (Boris Godunov), five-dozen wonderful songs, and not much else. More accurately, he started many pieces, and the few he finished typically suffered editorial interference when they were published. At first it seemed to have been sheer indolence that curbed his output; eventually he paid more attention to drinking than to music, and that’s what did him in at age 42 Pictures at an Exhibition Written by Mussorgsky for his late friend Victor Hartmann. Hartmann was an architect and painter who passed away in 1873. After his death an exhibition was organized in honor of Hartmann. A huge selection of his creations – over 400 watercolors, drawings, and jewelry designs – was exhibited in tribute at the St. Petersburg Academy of the Arts. Mussorgsky was so moved by the display that he composed a piano suite in tribute, however it wasn’t published until 5 years after the composers death. Tuileries This movement comes from the painting “The Tuileries Gardens”. The gardens are located in Paris and like most of the paintings represented in this work this one was lost, however through Mussorgsky’s use of the “universal melody” and falling thirds you can imagine the children playing and taunting each other in the garden. Pictures at an Exhibition 10 of Hartmann’s pictures are represented through Mussorgsky’s music, however only 3 appeared in the actual exhibition. The others were in Mussorgsky’s private collection or he had seen them somewhere

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