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Creativity at the Crossroad Creative Education as Moral Education
Creative Education
2012. Vol.3, Supplement, 63-65
Published Online December 2012 in SciRes (http://www.SciRP.org/journal/ce)
DOI:10.4236/ce.2012.37B015
Creativity at the Crossroad Creative Education as Moral
Education?
Sara Nosari
Dept. of Philosophy and Sciences of Education, University of Study, Turin, Italy
Email: sara.nosari@unito.it
Received 2012
The man’s action, thanks to its creative capacities, gave a new order to the reality: the “created reality”
does not present simply a different order, but is an authentic transformation. Which criteria had directed
this transformation? Which will be the criteria of future transformation? The paper presents two possible
ideas about creativity and argues in favor of a creative action educated and directed by an ethical criteria.
Keywords: Component; Human Being; Design; Judgment
Introduction
lar condition. The attention is focused on the endless of chang-
ing. The creative action – with the power of its technological
version – works with the aim to produce a continuous change.
This “productive” creativity enhances its capacity of trans-
formation, but sets aside its capacity of improvement. The crea-
tive action not always realizes the better transformation: its
intervention does not pose the question what is better (or worse).
It is become an instrumental creativity having the function to
produce new changes.
This creative action presents two main consequences: the
first concerns the action’s subject; le second, the action’s re-
sults.
A productive creativity transforms the subject in a “subject
of production”. The man is not more the changing author, but a
changing maker.
In the 1970s, Hans Jonas denounced the danger that threat-
ened the existence in the world: the effective range of man’s
action had terminated to be small. The power to act, amplified
by the advancement of technology, was become able to modify
the state of things. The
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